Music
wonder of birds
Feb 3rd
I just heard another song and it made me think about “couples bands” … like Over the Rhine or Weepies (a post to follow on their new cd) … and going back maybe K’s Choice (brother & sister) … but the song I heard made me want to spend a minute talking about the band Innocence Mission (husband & wife). The song was Wonder of Birds: http://www.youtube.com/watch?v=-sXOIrvOMKU&feature=related
Yup.
Innocence Mission is an acquired taste. It certainly isn’t uptempo but oddly it is upbeat (in message).
I tend to call them the best band in the “wistful Alt-pop genre” (I think i made that genre up). They are probably known best for Bright as Yellow which was used in the movie Empire State Records (a great movie … a great song … a great soundtrack).
Bright as Yellow: http://www.youtube.com/watch?v=eA4ZfLzy1VM&ob=av2e
Their songs have a … well … I imagine it is like a ‘fragile’ quality. Mostly because they are all sung by Karen Peris (her husband is the other songwriter & guitar player) and she has probably the consummate wistful voice. I have never seen them in concert and I wonder if you can even hear her when she sings live. She sounds like a wistful storyteller … and the songs just seem to wander in a light way … and you get sucked in thinking if you lean closer you get to hear them a little better because they seem to have something important to say. With Christian underpinnings they tend to write hopeful introspective songs but you really have to pay attention. The Innocence Mission have been doing their thing for over 20 years and 10 albums (and their sound hasn’t really evolved much over time … it just is what it is … and it is good).
They have this interesting ability to create songs which thru the lyrics and music arrangements seem to have an emotional level that is, well, comfortable … like sitting in a room filled with a group of friends just talking and laughing.
Can I listen to their music all the time? Nope.
Do I like to listen to it when I am reading (or writing)? Yup.
And maybe what I like best? Wonder of Birds may be the most aptly song name to describe Innocence Mission.
somebody i used to song
Jan 20th
How good is this song? (pretty damn good)
Somebody That I used to Know: http://www.youtube.com/watch?v=8UVNT4wvIGY
This is my next projected “addictive song.’
I heard it on the radio and had no clue who it was … it is a quirky catchy kind of alternative-pop song. Really interesting sound with a chorus using a woman’s voice. I will admit though … this song is much much better on radio than watching the video. I promise you … it is addictive in the car.
Anyway.
The singer is an Australian named Gotye … oh … and apparently this song was featured on Gossip Girl (sorry … didn’t see).
Somebody That I Used to Know is a song by Australian (and Belgian?) singer/songwriter Gotye from his third cd Making Mirrors. The woman in the song (and video) is a New Zealand singer named Kimbra. And while the song is good … the addition of Kimbra’s voice, which complements Gotye perfectly, kind of makes the song really special.
The chorus is really really nice and for a typical song about past relationships it seems to have more emotion than most.
The song was written by Gotye and is personal … writing about experiences he has had with relationships. Just because I was curious (because this is his 3rd cd)I checked around to see if there were any other good songs to share.
Here is a nice one:
Eyes wide open: http://www.youtube.com/watch?v=oyVJsg0XIIk&feature=relmfu
Just heard this song maybe last week for the first time. I think it is gonna go up the charts with bullet.
le sexoflex
Jan 13th
So this is a band and song you would only hear on college radio (and lo and behold I did). Le Sexoflex is a more overtly raunchy B-52’s. Or maybe a sexually driven Dee-lite (remember them?).
That is about all I can think of as a description to set expectations.
I was driving home and had the local college radio station on and they were having their techno night and a song came on that was addictively techno and incredibly sexual but about “sipping on a juicebox” and … well … here it is (probably NSFW):
Juicebox: http://vimeo.com/33340940
I still have the lyrics “sip, sip, sip on my juicebox” playing on an endless loop in my head.
Le Sexoflex is an unsigned electronic/rap/comedy group from Atlanta. Humorously they often call Atlanta – ‘Buttlanta’. This is one of those groups where all their members have randomly descriptive names. Miss Lady Flex. Princess Genius. Vas D. Peep Peep. Master Dong.
There are some great factoids I dug up that I want to include because … well … it makes for entertaining reading.
- Le Sexoflex was previously named Insane-O-Flex due to the contribution of vocals from Dana Swanson (Miss Lady Flex) on the song “I Like Your Booty (But I’m Not Gay)” featured in Aqua Teen Hunger Force Colon Movie Film for Theaters (2007) which had a robot named Insanoflex.
- Le Sexoflex first gained notoriety for the video for their song “Marriott Cock Squat” which was filmed and directed by Hagan Pie at Dragon*Con 2008.
C’mon. how could I not include that?
Bottom line?
They are …. well … crude, nasty, sexy, and just plain ridiculous.
And “sip, sip, sip on my juicebox” and smile.
weaver at the loom
Jan 6th
This is a music post and weaver at the loom is a group … well kind of … I think they used to be a group but there is only one surviving original member … co-lead singer and pianist Dan Smith.
I don’t know what to call this music … emo-trance-pop?
Maybe a less ethereal Owl City?
All I know is I like it.
You Can’t Evade Them: http://www.youtube.com/watch?v=IXZG13v5YOo
We are Wild Animals: http://www.youtube.com/watch?v=tMLEBHk7WGQ
And here is there myspace page: http://www.myspace.com/weaverattheloom
Frankly it is next to impossible to find out much about the band so I cannot say shit.
Just doing my part to share some new nd different music.
Enjoy.
christmas songs
Dec 25th
Getting gifts at Christmas is awesome but it is still always about the music to create the Christmas spirit. With that I started thinking about my top 5 Christmas songs (of which I would like to point out because I am typing this on a tropical island that it is a little weird to hear Nat King Cole & the Christmas song at a beach bar with the sun shining, the waves shifting in the background and sunburned Minnesotans sitting across the bar).
Anyway.
I began with 5 but the list kept growing.
I am sure I have missed some awesome songs.
It is a mix of traditional and non traditional. But here are the ones I would request to get me in the Christmas spirit.
Numero uno.
No doubt.
Any Christmas anywhere … I will never get tired of this song:
Nat King Cole and The Christmas Song: http://www.youtube.com/watch?v=__kQ1PCP6B0
Ok.
I have no clue what chestnuts are and no idea whether roasting them over an open fore is a good idea or not … but dammit … if I had chestnuts I would roast them.
No Christmas is complete without this song.
A classic (most young people have no idea who Dean Martin was and almost everyone forgets he actually sang in between cocktails).
Dean Martin singing Let it Snow: http://www.youtube.com/watch?v=mN7LW0Y00kE
And then Amy Grant.
I am not a huge Amy fan in general but I would have to say she is my top female xmas singer … I think she could sing any Christmas song and … well .. it would sound like it was meant for Christmas.
Amy Grant and Grown up Christmas List: http://www.youtube.com/watch?v=RmF2rsDHOZc&ob=av2e
And another Aimee.
Aimee Mann Christmastime: http://www.youtube.com/watch?v=fOL0ZlMMwAo&feature=related
I almost picked Calling on Mary which sounds languid and nice … but kind of has that infamous Aimee ironically truthful realistically darkish side to the holidays …
I heard the sidewalk Santa say:
Merry Christmas, Merry Christmas
Salvation’s coming cheap today
Merry Christmas, Merry Christmas
Next.
My first memory of a non classic contemporary Christmas song. And it still sounds great today.
Waitresses Christmas wrapping … a classic … http://www.youtube.com/watch?v=ARq6uYSsUq0&feature=related
Next.
Beautiful voice. Beautiful Christmas song. Sappy but good stuff.
Carpenters singing Merry Christmas Darling: http://www.youtube.com/watch?v=RSHevB1QZOM
Next.
Have yourself a merry little Christmas.
Yikes. There are a bunch of great renditions to this song. Maybe my favorite? Vonda Shepard.
http://www.youtube.com/watch?v=2O5DYlJSnCs
Next.
How The Grinch stole Christmas is probably the best Xmas cartoon of all time (maybe Charlie Brown close behind) …. but this song … awesome … The Grinch song:
Original: http://www.youtube.com/watch?v=nzXKWKaxt3c
But.
It may be Hip Heavy Lip’s version that introduced this song to an entirely new generation (NEVER get tired of this): http://www.youtube.com/watch?v=kRGSCnQ2OuM
Next.
Pretty much anything Leigh Nash sings sounds good but holiday songs … well … she should do an entire cd sometime …
This is Sixpence none the Richer with Carol Of The Bells http://www.youtube.com/watch?v=Fb1tRCqZpxI&feature=related
Next.
Whew. Incredibly sad and thoughtful and … well … heartfelt … which (the latter) is what I expect Christmas is really all about.
Robert Downey singing The River: http://www.youtube.com/watch?v=etfxRJdoUwo
Next.
The one people probably haven’t heard ….
Glasvegas singing A Snowflake Fell (And It Felt Like A Kiss)
http://www.youtube.com/watch?v=YW4b2_Xpwbs
next.
For a slightly different sound and it sounds fun in the traditional xmas music mix … Sally Shapiro sings kind of a techno Christmas song … Anorak Christmas http://www.youtube.com/watch?v=IHC1RaLEQSM
Next.
Cocteau Twins are an acquired taste in general … and their sound is always up & down (to me). but. They nailed this one. Frosty The Snowman http://www.youtube.com/watch?v=e874vKfYfuU
Next.
Just a nice one. And heather Nova’s voice is a nice contrast to the more traditional Amy Grant and Leigh Nash and Karen carpenter. ‘Always Christmas by Heather Nova http://www.youtube.com/watch?v=6Wgd4-ngo0g
Next.
Christmas (baby please come home) by Death Cab for Cutie: http://www.youtube.com/watch?v=T4Yxq4QEkUE
I love Ben Gibbard’s voice. And I love this version of the song. Whoda thunk one of the best emo bands of all time would crank out a good holiday song.
Next.
A good modern one. Surprisingly good. Surprisingly little played.
Sleigh ride by KT Tunstall: http://www.youtube.com/watch?v=6t8rgWkRwIk
Next.
Listen The Snow Is Falling by Thea Gilmore http://www.youtube.com/watch?v=01fsYd0oa6s
(had to include this one)
Its just nice. And you never hear. And most people have no clue who Thea is.
Next.
Oh yeah.
O Holy Night by Josh Groban (his voice sounds pretentious at times … but … for the holidays? … his voice was made for songs like this ..) http://www.youtube.com/watch?v=FFln-AlC46M
And lastly.
Just cant leave this one off my ist.
So This is Christmas by John Lennon http://www.youtube.com/watch?v=8cJOm72QDDA&feature=related
How could this not make anyone’s list?
That’s it for my list. 19 songs (if I counted correctly)
I have more but these are songs I like to hear in order to get me in the melancholy state and upbeat state and in general … the Christmas state.
Thinking about the past.
Remembering friends and family (here and gone).
Reconnecting.
Seeing the joy in a child’s face …. Ok … anyone’s face.
Ok.
To make it an even 20.
Just for a smile. Listen to Guster sing “¿Donde Esta Santa Claus?”: http://www.youtube.com/watch?v=LOganSDZyLM
Merry Christmas.
on the ocean r&b
Dec 25th
So.
Just got back from 1st vacation in awhile. Decided on some warmth and sun and tropics. Anyway. Almost no place in the world seems to understand how music plays a part in the overall vibe of being on some island in the middle of the ocean.
That said. let’s go back to 2009 for a minute (mainly because I overlooked this song).
Ok.
Let’s face it (part 1).
I am an old white guy so the black r&b stations are typically not high on my music rotation. So maybe I needed to go somewhere else to hear it.
Let’s face it (part 2).
But. A great r&b groove is a great r&b groove … and timeless.
This song just oozes out of the speakers.
Beautiful Music.
A beautiful voice.
This song, On the Ocean, I am sure was big but me, being a clueless white guy, just missed it.
But hey … I am the guy who thought Donnel Jones’ “U know what’s Up” was the greatest r&b song I had ever heard only to find out it had been out for over a year (and it is still a great song and maybe the highlight of CrazyBeautiful … okay .. La Siempre was the musical highlight of that movie).
Anyway. I am rambling.
Maybe in this genre I am always a couple of years behind.
Hmmmmmmmmmmmmmmmmmmm … maybe I am just a couple years behind in everything.
Oops.
That is another post for another day.
Here is the song.
On the ocean: http://www.youtube.com/watch?v=TA1T6KwJyko&ob=av2n
And just because I was curious ‘cause I had never heard of K’Jon.
A couple more nice songs:
After the Club: http://www.youtube.com/watch?v=MakTTT0eAHE&feature=related
Fly Away: http://www.youtube.com/watch?v=SkDbhtPVQ7c
Better late than never is my motto.
Enjoy.
Pete Murray
Nov 21st
Smoky voice.
Storytelling songs.
Unhurried style.
No clue why this guy never made it big.
I have had this cd sitting in my amazon basket for years. And I had kept forgetting to move it into the “buy” section … until last week.
The cd is called Feeler (and it is really good). Many of his songs have that old Springsteen-like blue collar rock groove. Songs build from acoustic & rhythm guitar and drums often adding in a funky electric piano and organ. It all creates a bigger anthemic feeling folk/rock storytelling cd. The cd is chockfull of classic rock’n’roll sounds lay the foundation throughout (like ‘Bail Me Out’). But listen to ‘So Beautiful’ (an ode to a lost lover) and t is almost the quintessential singer/songwriter performance of lingering regret, pain, anger, bitterness and the sweet memories. He sings in a way that makes all his lyrics seem honest and heartfelt.
Couple of songs:
So Beautiful: http://www.youtube.com/watch?v=wLxe-Y_CZtw
Bail me Out: http://www.youtube.com/watch?v=ddrqTroCZGw&feature=relmfu
Anyway.
He also has a new cd out Blue Sky Blue.
It’s a little bit different than Feeler … but good. Oh. And he intentionally made it different.
“When I first signed my record deal I had a goal, I wanted to do three big albums. I knew if I could do that I would have established myself as someone who had a good fan base to play to. I achieved that but after I took a good break I knew I just wanted to make an album that was even better, an evolution from what I had done.”
This new cd is the first Murray has recorded with a big-name producer (producer has worked with Beck, Foo Fighters, Elliott Smith and Badly Drawn Boy). Its also his first album recorded in the US, his first with a different band, and the first to move away from his traditional acoustic sound and take a more “groove-driven approach” to many of the songs.
The album was recorded at Los Angeles studio Sunset Sound (which I have actually been to and which has been the recording location for artists from The Doors and Led Zeppelin to Beck and Arctic Monkeys). As a trivia point he is the most commercially successful Australian singer-songwriter of the past 10 years (albums Feeler, See the Sun and Summer At Eureka).
But Feeler is an extraordinary debut cd. And I should have picked it up earlier. The first thing that will grab you is his smoky textured voice. It has the enviously powerful singer songwriter combination of “conviction, grace and road weary aspects of emotion and truth” (I stole those words from some review).
His voice is perfect to deliver his songs ranging from something as simple as an overlay to acoustic guitar to a heavier sound with jagged electric guitars and some catchy riffs.
His musical direction has always been to keep it as stripped back as possible and let the words and the vocals tell the story … up until this newest cd.
Anyway. Pick up Feeler. It is good. Very good.
And if you want a different Pete Murray pick up Blue Sky Blue. It is different. But good.
the Guardian and the CMAs
Nov 10th
Ok. Read on if you want a perspective on the CMA Awards with blatant disregard of any country music knowledge (courtesy of the Guardian).
I briefly watched the CMAs because I like music in general and I like to see good musicians play good music (and country can have its moments along with all the other genres). Plus. I had watched some of the CMA FanFest on Palladia and there were some really good performances.
But, boy, the CMAs were pretty disappointing in comparison.
In fact … I will quote from one of the expert commentators who will be quoted below:
- “ They’ve been pretty disappointing so far. The songs are what country songs have been sounding like for the last five or ten years and it makes it kind of the same. It all sounds very familiar, not at all fresh. Keith Urban is trying too hard and Sara Evans really can’t sing that well live.”
Ah.
But this post isn’t about my thoughts … its about the British invading Nashville’s finest moment.
as most of my readers know I am a Guardian (newspaper) reader. I just like the british perspective on things around the world. But up until now I am not sure I have laughed out loud reading an article in the Guardian.
Today I did.
The Guardian sent someone to the Country Music Award ceremony.
Yup.
A Brit commenting on country music (how awesome is that?).
Even better it is a streaming commentary live from the CMAs. I knew I was in for a rollicking read when the writer who was going to do the live blog commentary opened with this:
7:00 pm: Well howdy, padners! Aren’t y’all lookin’ sassy tonight? Let’s saddle ‘em up because tonight we’re gonna be ridin’ – and ridin HARD – out to the Country Music Awards! Yee haw!
Now, despite my nigh-on bilingual skills, I’m going to be honest with you and admit that my knowledge of country music pretty much begins and ends with the word y’all.
So be prepared for plenty of Forrest Gumpian observations (“Wow, there are a lot of guys called Kenny in Country Music, aren’t there?”) and general expressions of enthusiastic bafflement.
Awesomely qualified to give us a clear unbiased (but 100% british) perspective on country music.
Oh.
But the writer did have two country music writers with him to provide some expert background perspective. And I admit … even their comments were refreshingy honest (I am not sure they have much of a career in Nashville after having some of their comments printed for the world to see).
Regardless.
This may be the best stream-of-thought commentary of one of those made-for-tv award spectacles I have ever read.
There is a blatant disregard for any country music knowledge and a remarkable candid perspective on country music and wardrobe decisions and talent.
Here are my highlights (link to the entire commentary at the end).
8:04 pm: Oh my goodness it’s starting! And it’s opening with Blake Shelton and, oh yes ladies and gentlemen, KENNY LOGGINS doing Footloose, while a load of dancers writing around on scaffolding and spotlights swing around the arena drunkenly. All in all, it’s more like an the MTV awards from the 1980s meets ITV’s Gladiators than anything to do with country music. Well, they got me on side from the kick off. Well done, CMAs.
Incidentally, something very terrible appears to have happened to Loggins’s face recently. Let’s put it this way, his soul patch and earring are the least worrying physical elements on his face. I say no more.
8:05 pm: The hosts, Carrie Underwood and Brad Paisley, have just stepped on and are engaging in “comedy banter”. Incidentally, Carrie appears to be wearing a tent made out of several rolls of Charmin. And that is my professional fashion opinion.
8:09 pm: HIDEOUSNESS KLAXON! For some reason, Brad and Carrie have a pair of Barbie dolls (“OMG!” cries Carrie) and now they two of them are making their Barbies have sex. On stage. Loudly. Is this legal? Well, it probably is in Nashville.
8:19 pm: Carrie has changed her dress and Kerri and I agree it is “much better.” Bear in mind this is all relative. Keith “Urban” Kidman is playing in what looks like the center of the arena and Lord all mighty, look at those guns. Those things are so disproportionate I actually stopped laughing at his hair. For a minute.
8.24pm: Keith Urban keeps doing this unbearable kick with his little boots and it is so cheesy the whole room reeks of brie. Plus he’s wearing Q-reader uniform of black jeans and black shirt. I honestly think my fertile bits have just turned to ashes.
8.25pm: Now Sara Evans is singing, and she appears to be compensating for her terribly dull outfit (black trousers and black top – trend alert) by having dancers from Cirque du Soleil swing about on silk scarves. She is rhyming “longer” with “stronger.” Maverick.
Personal note: (this last comment made me laugh out loud … one of my biggest complaints with country music is the lyrical laziness …)
8:33 pm: Wow, Carrie has changed again, and is now wearing half a pink dress. Maybe she didn’t have time to put the whole thing on. Miranda Lambert is singing Baggage Claim and swinging those hips in a way I think someone once told her was “sassy.” She also appears to be wearing a World Wide Wrestling giant belt around her middle.
8:46 pm: The Flatts are joined on stage by Natasha Beddingfield, a who is wearing Snuffleupagus on her bottom half and just a bra on her top half. It is an extraordinary combination – brave, edgy, a definite hit for next season and, no, I can’t keep this up, it is complete and utter cack.
8.47pm: GONG! Sugarland win Vocal Duo of the Year and the experts in the office are disgusted. “They suck,” Jesse says. Kerri was rooting for The Civil Wars, which is not a phrase I ever wrote before.
I should have added earlier – the crystal awards that the CMAs are handing out are amazingly phallic. Again, this is not me being unfair. This is me reporting a fact.
Personal note: the civil wars (actually a really nice group) comment is very very funny.
10.47pm: Faith Hill is singing. Her make up is witchy, her hair is enormous and her pant suit is too tight. It’s all beginning to blend into one, isn’t it, readers? “She has a very wide stance,” notes Jesse. And now that he’s pointed that out I literally cannot stop staring at Faith’s straining crotch. Again, another phrase I never thought I’d write.
10.50pm: GONG! Female Vocalist of the Year goes to … Miranda Lambert! She of the Baggage Claim song earlier. And, my god, fellow nominee Taylor Swift looked miffed at that one.
“All of these ladies deserve this more than me,” says Miranda. In classic awards cameraman style, we get a straight-on shot of Taylor Swift who is giving what I think can be described as Death Eye.
10.55pm: Carrie Underwood, wearing a pair of beige curtains, has introduced Reba McIntyre, who, judging from her face, has her own wind machine, permanently blasting her straight on.
Whew.
My sides hurt. This was funny.
And funnily true.
Here is the entire commentary:
http://www.guardian.co.uk/music/2011/nov/10/country-music-awards-live-blog
I cannot wait for next year’s CMA.












