Music

wonder of birds

So.

I just heard another song and it made me think about “couples bands”  … like Over the Rhine or Weepies (a post to follow on their new cd) … and going back maybe K’s Choice (brother & sister) … but the song I heard made me want to spend a minute talking about the band Innocence Mission (husband & wife). The song was Wonder of Birds: http://www.youtube.com/watch?v=-sXOIrvOMKU&feature=related

Yup.

Innocence Mission is an acquired taste. It certainly isn’t uptempo but oddly it is upbeat (in message).

I tend to call them the best band in the “wistful Alt-pop genre” (I think i made that genre up). They are probably known best for Bright as Yellow which was used in the movie Empire State Records (a great movie … a great song … a great soundtrack).

Bright as Yellow: http://www.youtube.com/watch?v=eA4ZfLzy1VM&ob=av2e

Their songs have a … well … I imagine it is like a ‘fragile’ quality.  Mostly because they are all sung by Karen Peris (her husband is the other songwriter & guitar player) and she has probably the consummate wistful voice. I have never seen them in concert and I wonder if you can even hear her when she sings live. She sounds like a wistful storyteller … and the songs just seem to wander in a light way … and you get sucked in thinking if you lean closer you get to hear them a little better because they seem to have something important to say. With Christian underpinnings they tend to write hopeful introspective songs but you really have to pay attention. The Innocence Mission have been doing their thing for over 20 years and 10 albums (and their sound hasn’t really evolved much over time … it just is what it is … and it is good).
They have this interesting ability to create songs which thru the lyrics and music arrangements seem to have an emotional level that is, well, comfortable … like sitting in a room filled with a group of friends just talking and laughing.

Can I listen to their music all the time? Nope.

Do I like to listen to it when I am reading (or writing)? Yup.

And maybe what I like best? Wonder of Birds may be the most aptly song name to describe Innocence Mission.

christian music musings

It’s Sunday and I thought I would write about church-going music. So let’s begin with a song my mother heard on the radio and a quote from my mother when she heard it:

“did they get kicked out of the church?” – my mother

The song? Flyleaf “Again”: http://www.youtube.com/watch?v=KbdCeWoEH1U&ob=av2e

(little lead singer with a huge voice)

My mother doesn’t get half the music I like but she is always interested in hearing things … and always interested in what has changed since … well … Frank Sinatra (to be fair she also likes the Beatles and even David Bowie’s voice).

Anyway.

Writing about contemporary Christian music crossed my and for a several reasons … first was when I skipped through the dial and heard a Flyleaf song I happen to like and decided to point out to my mother that they were a Christian band (which elicited the quote at the beginning) as well as I heard a Switchfoot song under the introduction to an espn gameday football game (oddly … I also heard a Switchfoot song under a radio ad for The Vampire Diaries and Secret Circle).

Well.

That is how mainstream christian bands have become.

Oh. Yeah. They are both christian bands if you didn’t know.

Oh. Yeah. That would mean they play “christian music.”

Uh oh. Bad stigma. Christian music is no good.

Wrong wrong wrong.

I will remind everyone with Switchfoot who really was the first to showcase the new face of christian music.

Maybe the most recent?  Skillet. Kind of been chugging along under the mainstream radar and then their 2 recent often played songs Monster (which is disliked) and Awake (which I liked): http://www.youtube.com/watch?v=2aJUnltwsqs&ob=av2e

Just in case you haven’t been paying attention christian based music has gotten better.  And in some cases really good. Sure. There is still some of that sappy bad forced lyric stuff out there but there is a new generation of musicians have expanded their christian view to be broader in how they communicate their christian values and beliefs.

As I pointed out to my mother …. there is a whole new generation of ‘enlightened christians’ out there who are seeking shit <music> that is relevant to their own generation.

So.

I admit … maybe even 10 years ago if someone said “you wanna listen to a Christian music cd” I think I would have just asked if someone could have stuck an ice pick in my ear instead. Today? Not so much the ice pick in the ear thing.

Christian music really has evolved with the times (although, I would suggest that what would be considered an ‘atheist’ song, Dear God by XTC – an AWESOME song – probably did more for Christian music than any song before: http://www.youtube.com/watch?v=hk41Gbjljfo ).

Some of the music can be really nice to listen to. Maybe it’s a growth of some sub genres but the Christian sound is keeping pace with mainstream (although I do believe they still tend to be a little formulaic with big multi chord riffs and lyrical chorus overlays).

I guess I attribute the evolution (beyond my thought on Dear God) in my own warped mind that I envisioned some Christian musicians woke up one morning and remembered that Jesus led a quasi normal life. I seriously doubt he walked around his entire life talking in parables (which is why I loved Crash Test Dummies “God shuffled his Feet”:

God shuffled his feet: http://www.youtube.com/watch?v=AzNzCiZwk28). I bet he had a life with family and friends and probably talked to them about the new sandals on sale at the corner market store, pimples and how much he hated black olives. I would assume he just talked sometimes (or at least one would hope or his friends would be exasperated trying to figure out the parables in every conversation).

Anyway. Simplistically the change probably occurred because different generations desire different things. So, to stay relevant, some musicians with some new ways of looking at things came along. And the good things for those writing these songs is that the reality is people do want to feel like God exists in the present, and not some antiquated relic that couldn’t possibly understand the issues of today, approached music through their own eyes and ways of looking at things.

Trust me. If God actually did speak to me I would hope he would avoid the ole thee’s and thou’s in trying to communicate something. And a lot of musicians understood the same thing.

And if you listen to today’s contemporary Christian musicians many of the rock songs transcend the intended market and reach the ears of people not completely in sinc with the whole church thing.

Here is the fun thing (at least to me). The christian traditionalists, who I would like to point out are most typically parents, hate it.

Why? People (simplistically) say … it’s rebellion. It’s unholy. It’s … well …different.

I would like to point out here that different musical taste is not in itself an act of rebellion.   Each generation distinguishes themselves musically from the generation before. That is a fact.  Older generations don’t like it, but each generation does it (Beatles to their parents, jazz to their parents, etc.).

To me music has never about rebelling against my parents or anyone else. I just liked the sound. I just liked how it sounded and inevitably how it spoke to me and the feeling I have. I liked what it represented as to what I thought & felt.

And while I titled this Christian music I do believe labeling “christ-centered music” as christian music is a mistake (but it helped me provide a thread for what I wanted to write about). That label implies a form that is inherently ‘Christian’ (which is false). I asked a christian friend of mine once what is a Christian. I got a nice simple response. A person in love with Christ. So what would it sound like singing? Jeez (I almost typed the ‘other word’). That’s a stupid question. It could sound like anything.

Anyway.

To me there are three types of Christian music.

1.            The overt Christian band. Note. This is typically not my type of band.

This band seems to use their music/lyrics to specifically talk about god and such and is quite open about who/what they’re talking about in their lyrics. They preach. They celebrate. They specifically do Christian type messaging. No guessing games here. Let’s call this ‘all Christian all the time’.

Personally I think their stuff is often too preachy and difficult to listen to if you don’t have that faith (even though some of the music is well written and the singers have interesting voices).

Professionally I believe they struggle because there is some restrain on the authenticity and freedom to create great music. True creativity means truly expressing what is in your heart/soul. It means allowing freedom into the music which means you don’t feel the inexplicable need to resolve each song by singing “Jesus Saves” (or “I love god”) in every refrain.

Anyway.

What helps you out is they call themselves Christian so you can avoid it if you want.

How up front they want to be with that is up to them, whether it’s in all their songs or just some of them. But If I purchased a CD from a band who labeled themselves as a “Christian” band though I’d expect to be hearing about Christ somewhere in those lyrics.

2.            The ‘not as overt’ bands. In other words (not mine but a Christian’s description) “the band that crosses more into the mainstream/secular world” and “taking the medicine to the sick.” (oh my)

They don’t hide their faith, but they don’t spell it out in their lyrics all the time. And some of these bands kick ass. Flyleaf. Switchfoot. POD.

These are the kinds of bands that people frequently ask about because they can’t tell by listening to the music. Switchfoot’s “Meant to Live:” http://www.youtube.com/watch?v=Hp6Qh-wT3ys&ob=av2n is probably the song (if they weren’t a Christian band) I would use as the anthem for my Global Generation idea (although I do suggest a POD song in Global Generation 3). Meant to Live is a song U2 would have been proud writing and singing. Interestingly (and I would imagine many people would argue with me) I would put many Country music groups in this section.

3.            Then there are the mainstream bands that have (some) Christian members. Their lyrics might be about anything without mentioning Christ specifically. However, I suspect their beliefs sneak out in places throughout their lyrics, whether they mean for them to or not. Think Mutemath, Evanescence, Lifehouse, The Fray.  These are bands that have some faith and weave in their beliefs within their songs but don’t dedicate their full portfolio to the message. Think about Evanescence.

Oh. And 12 Stones. Remember them?

Bet ya don’t.

Okay. Remember Evanescence “Bring me to Life”? (AWESOME song:  http://www.youtube.com/watch?v=3YxaaGgTQYM&ob=av2e). The guy who sings along with Amy Lee is the lead singer of a band called 12 Stones (a christian band  … and the songwriters of Evanescence just didn’t like to be called a Christian band but suggested their songs communicated a positive faith message).

Anyway.

Why do I think the first group has such a challenge (beyond the obvious thought that some people just don’t want to hear it)? Think creatively here.

Christian artists, who are overt, have a challenge. They want to meet what they call the The Great Commission (“go and make disciples”) but it’s difficult to do in a single song (let alone an entire cd).

Think of it this way. If I wanted to write a song about my girlfriend Bunny, then decide to write an entire cd about her (even if her specialty was talking in metaphors … or parables … I always struggle to figure out the difference …) and then I decided to make sure I used her name in every song on the cd it would mean I have an entire cd filled with Bunny references. Well. Figure Christian artists try and do that every cd but with god/JC/Him. And that is bad for anyone (whether you believe you have JC on your side or not).

But.

In the end, if you turn on the radio try and be open-minded. There really is no such thing as just one type Christian song anymore and some of it is really really good.

So. Here are some bands (they go from harder to softer Christian music):

Skillet

Switchfoot

Paramore

the Letter Black (a new band I think will cross over)

POD

Flyleaf (if you see them in concert you would never imagine in a zillion years they were Christian)

Mutemath

Mae

Lifehouse

Leigh Nash (ex lead singer of Sixpence Nonethericher)

Robbie Seay band

Ginny Owens

Eisley

Matt Kearney

Some of my favorite Christian songs (beyond ‘I can Imagine’ which I can imagine – pun intended – is difficult for anyone to dislike):

-          Switchfoot “Meant to Live.” This is the song that probably put Christian music on the mainstream charts. Awesome song. Well written and big anthemic feel. “Dare you to Move” would be a close second: http://www.youtube.com/watch?v=iOTcr9wKC-o&ob=av2e

-          Rebecca St. James “Beautiful Stranger” (http://www.youtube.com/watch?v=QgH40uV-nEc ) The first time I heard it was with the video and its impact was HUGE. As a stand-alone song it is awesome also. But with video it’s amazing. Ok. And as for a full on Christian song … God of Wonders is a beautifully crafted and beautifully sung song.

-          P.O.D. “Goodbye for Now.” Powerful rap rock San Diego band. Boom is another awesome song. Alive and Youth of a Nation are also good. I actually use one of their newer songs as the anthem for the Global Generation. Oh. The opening riffs on Boom and Alive rank up with two of the best openings to a rock song as you can get. They kick you in the gut from note one.

-          Jennifer Knapp “A little More” (its fun a nice folksy song).

-          Ginny Owens “If you want me To.” http://www.youtube.com/watch?v=GocT5SAQPNM&feature=related One of the most heartfelt songs of all time. Don’t listen to it if you have just broken up with someone. “Someone Searching” is the next song of her you should listen to. Another beautiful heartfelt song. Lastly. If you ever want your teen to listen to something so they know that you unconditionally love them, consider playing “Without Condition” for them. Yes. It is about God but at its core it will share the thought of love without condition. Which is appealing to anyone regardless of faith.

Anyway.

Here is where the rubber hits the road.

Heart.

One thing I do know … artists with a Christian vision have a passion to minister to a world that they believe needs help.

I believe the best of the best are realistic about their impact but are also very open about their passion for the ‘lost’ in the world and their desire to help even one.

It is easy to slam something we don’t understand.

There are a lot of good musicians who have a strong faith.

And incorporate it into their songs.  Some songs.  Maybe not all their songs.

Adam young. Better known as Owl City. He’s a devout Christian who takes his faith as seriously as his music. Evanescence. Speaks out often about faith. Paramore. Once again. Christian.  Mutemath. But all desire to be known as musicians who have faith and incorporate the message within.

Not Christian bands who can play music. The list goes on and on.

Anyway.

There is a lot of good music out there so ignore the ‘label’ (genre title) and just listen up. You never know what you are missing.

somebody i used to song

Ok.

How good is this song? (pretty damn good)

Somebody That I used to Know: http://www.youtube.com/watch?v=8UVNT4wvIGY

This is my next projected “addictive song.’

I heard it on the radio and had no clue who it was … it is a quirky catchy kind of alternative-pop song. Really interesting sound with a chorus using a woman’s voice. I will admit though … this song is much much better on radio than watching the video. I promise you … it is addictive in the car.

Anyway.

The singer is an Australian named Gotye … oh … and apparently this song was featured on Gossip Girl (sorry … didn’t see).

Somebody That I Used to Know is a song by Australian (and Belgian?) singer/songwriter Gotye from his third cd Making Mirrors. The woman in the song (and video) is a New Zealand singer named Kimbra. And while the song is good … the addition of Kimbra’s voice, which complements Gotye perfectly, kind of makes the song really special.

The chorus is really really nice and for a typical song about past relationships it seems to have more emotion than most.

The song was written by Gotye and is personal …  writing about experiences he has had with relationships. Just because I was curious (because this is his 3rd cd)I checked around to see if there were any other good songs to share.

Here is a nice one:

Eyes wide open: http://www.youtube.com/watch?v=oyVJsg0XIIk&feature=relmfu

Just heard this song maybe last week for the first time. I think it is gonna go up the charts with  bullet.

le sexoflex

Ok.

So this is a band and song you would only hear on college radio (and lo and behold I did). Le Sexoflex is a more overtly raunchy B-52’s.  Or maybe a sexually driven Dee-lite (remember them?).

That is about all I can think of as a description to set expectations.

I was driving home and had the local college radio station on and they were having their techno night and a song came on that was addictively techno and incredibly sexual but about “sipping on a juicebox” and … well … here it is (probably NSFW):

Juicebox: http://vimeo.com/33340940

I still have the lyrics “sip, sip, sip on my juicebox” playing on an endless loop in my head.

Le Sexoflex is an unsigned electronic/rap/comedy group from Atlanta.  Humorously they often call Atlanta – ‘Buttlanta’. This is one of those groups where all their members have randomly descriptive names. Miss Lady Flex. Princess Genius. Vas D. Peep Peep. Master Dong.

There are some great factoids I dug up that I want to include because … well … it makes for entertaining reading.

-          Le Sexoflex was previously named Insane-O-Flex due to the contribution of vocals from Dana Swanson (Miss Lady Flex) on the song “I Like Your Booty (But I’m Not Gay)” featured in Aqua Teen Hunger Force Colon Movie Film for Theaters (2007) which had a robot named Insanoflex.

-          Le Sexoflex first gained notoriety for the video for their song “Marriott Cock Squat” which was filmed and directed by Hagan Pie at Dragon*Con 2008.

C’mon. how could I not include that?

Bottom line?

They are …. well …  crude, nasty, sexy, and just plain ridiculous.

And “sip, sip, sip on my juicebox” and smile.

mutemath

“For us, we just try to keep it simple. We’re obviously a band; that’s really all we ever wanted to be from the very beginning without catering to any particular genre or political or religious agenda. We just want to make music with no barriers.               ”—Paul Meany (Mutemath lead singer)

This is an odd band with a distinct sound.

The first time I heard Mutemath I found their music & sound really unique. Let me try this (maybe the best I can do) … I tend to want to call them a techno jam band.

What do I mean?

Well. On their Armistice cd that song (armistice) is a nice quirky innovative song … short with different aspects … but live? Whoa.  Huge.  Fascinating.  It takes it to an entirely different level (the sign of a live jam band) … here is the live version (which is NOTHING like the 3 minute something cd version):

Armistice (live): http://www.youtube.com/watch?v=UWp_JHn-I88&feature=related

So. Where did i first hear of Mutemath? okay … I admit … it was the Twilight soundtrack … I heard Spotlight:

Spotlight: http://www.youtube.com/watch?v=Ry6GAwDCI2I

An awesome song.

Frenetic but solid in its foundation.

And., well … that summaries Mutemath.  A shitload of their songs are frenetic but they have this solid thematic backbone that makes them … well … listenable.

And then when I saw them on Palladium I instantly fell in love with their live show and their music. That was what set this band apart to me.. There seems like there is nothing else out there that was similar. It’s really hard to put a label on them or to pin them down into describing their sound. The instrumentation is sometimes odd and they mix some nice down-tempo with a solid bass beat while others very heavily electronic. And there seems some jazz influence which I hesitate to claim it’s because of their New Orleans background but you have to assume it influenced what they did in some way).

I guess if you listen to them I would suggests that Mutemath seems to throw a lot of different music styles at you in creating their songs. For example … go to their Armistice cd … you have some choices (but skip tracks 1 & 2). Listen to track 3 & 4 back to back. 2 different sounds. Exactly the same if you listen to tracks 10 & 11 back to back (add in track 9 which is a really nice interesting song and it completes the range).

Mutemath seem to have a quirky knack for jamming a bunch of different sounds together and just making it sound good by combining it with their lead singer’s (Paul Meany) distinct voice and delivery. Oh. And their drummer is awesome.

In the end? They’ve both got some really cool guitar riffs, some groove-oriented frenetic drums, and a ton of multi-instrumental pacing switches (which some people find uncomfortable but the oddness creates some interesting music).

Chaos: http://www.youtube.com/watch?v=TTV0Aa4lC04&feature=related

Also. I find them even more interesting because they split with their original label while they debated being labeled in the music market as a ‘Christian band.’ The band suggests that although all the band members are Christians, they want their music to be positioned for mainstream exposure, without the ‘Christian’ label.

(good for them I say)

Someone describes them this way … “The four piece (originating from New Orleans) has scattered influences that are apparent without being obvious, and touch on everything from DJ Shadow styled beats, moments of beauty and grandeur a la Bjork, and vocals that pay legitimate homage to Police-era Sting.”

Bottom line?

Their live show looks awesome …. it has this random energy that creates a slightly dizzying energy.

What more can I say?

Ok.

I didn’t make this list … it was created by The Good and the Bad and the Unknown blog (http://goodbadunknown.blogspot.com/ ) which if you like music is an AWESOME site:

Here are the 11 Best Songs by Mutemath:

1.  Chaos

2.  Goodbye

3.  No Response

4.  Control

5.  Break The Same

6.  Stall Out

7.  Burden

8.  You Are Mine

9.  Spotlight

10.  Typical

11.  The Nerve

An odd quirky band? Yes.

A good band? Yup.

Listen to them.

Worth every minute.

weaver at the loom

Ok.

This is a music post and weaver at the loom is a group … well kind of … I think they used to be a group but there is only one surviving original member … co-lead singer and pianist Dan Smith.

I don’t know what to call this music …  emo-trance-pop?

Maybe a less ethereal Owl City?

All I know is I like it.

You Can’t Evade Them: http://www.youtube.com/watch?v=IXZG13v5YOo

We are Wild Animals:  http://www.youtube.com/watch?v=tMLEBHk7WGQ

And here is there myspace page: http://www.myspace.com/weaverattheloom

Frankly it is next to impossible to find out much about the band so I cannot say shit.

Just doing my part to share some new nd different music.

Enjoy.

christmas songs

So.

Getting gifts at Christmas is awesome but it is still always about the music to create the Christmas spirit. With that I started thinking about my top 5 Christmas songs (of which I would like to point out because I am typing this on a tropical island that it is a little weird to hear Nat King Cole & the Christmas song at a beach bar with the sun shining, the waves shifting in the background and sunburned Minnesotans sitting across the bar).

Anyway.

I began with 5 but the list kept growing.

I am sure I have missed some awesome songs.

It is a mix of traditional and non traditional. But here are the ones I would request to get me in the Christmas spirit.

Numero uno.

No doubt.

Any Christmas anywhere … I will never get tired of this song:

Nat King Cole and The Christmas Song: http://www.youtube.com/watch?v=__kQ1PCP6B0

Ok.

I have no clue what chestnuts are and no idea whether roasting them over an open fore is a good idea or not … but dammit … if I had chestnuts I would roast them.

No Christmas is complete without this song.

A classic (most young people have no idea who Dean Martin was and almost everyone forgets he actually sang in between cocktails).

Dean Martin singing Let it Snow: http://www.youtube.com/watch?v=mN7LW0Y00kE

And then Amy Grant.

I am not a huge Amy fan in general but I would have to say she is my top female xmas singer … I think she could sing any Christmas song and … well .. it would sound like it was meant for Christmas.

Amy Grant and Grown up Christmas List: http://www.youtube.com/watch?v=RmF2rsDHOZc&ob=av2e

And another Aimee.

Aimee Mann Christmastime: http://www.youtube.com/watch?v=fOL0ZlMMwAo&feature=related

I almost picked Calling on Mary which sounds languid and nice … but kind of has that infamous Aimee ironically truthful realistically darkish side to the holidays …

I heard the sidewalk Santa say:

Merry Christmas, Merry Christmas

Salvation’s coming cheap today

Merry Christmas, Merry Christmas

Next.

My first memory of a non classic contemporary Christmas song.  And it still sounds great today.

Waitresses Christmas wrapping … a classic … http://www.youtube.com/watch?v=ARq6uYSsUq0&feature=related

Next.

Beautiful voice. Beautiful Christmas song. Sappy but good stuff.

Carpenters singing Merry Christmas Darling: http://www.youtube.com/watch?v=RSHevB1QZOM

Next.

Have yourself a merry little Christmas.

Yikes.  There are a bunch of great renditions to this song. Maybe my favorite? Vonda Shepard.

http://www.youtube.com/watch?v=2O5DYlJSnCs

Next.

How The Grinch stole Christmas is probably the best Xmas cartoon of all time (maybe Charlie Brown close behind) …. but this song … awesome … The Grinch song:

Original: http://www.youtube.com/watch?v=nzXKWKaxt3c

But.

It may be Hip Heavy Lip’s version that introduced this song to an entirely new generation (NEVER get tired of this): http://www.youtube.com/watch?v=kRGSCnQ2OuM

Next.

Pretty much anything Leigh Nash sings sounds good but holiday songs … well … she should do an entire cd sometime …

This is Sixpence none the Richer  with Carol Of The Bells http://www.youtube.com/watch?v=Fb1tRCqZpxI&feature=related

Next.

Whew. Incredibly sad and thoughtful and … well … heartfelt … which (the latter) is what I expect Christmas is really all about.

Robert Downey singing The River: http://www.youtube.com/watch?v=etfxRJdoUwo

Next.

The one people probably haven’t heard ….

Glasvegas  singing A Snowflake Fell (And It Felt Like A Kiss)

http://www.youtube.com/watch?v=YW4b2_Xpwbs

next.

For a slightly different sound and it sounds fun in the traditional xmas music mix … Sally Shapiro sings kind of a techno Christmas song …  Anorak Christmas http://www.youtube.com/watch?v=IHC1RaLEQSM

Next.

Cocteau Twins are an acquired taste in general … and their sound is always up & down (to me). but.  They nailed this one. Frosty The Snowman http://www.youtube.com/watch?v=e874vKfYfuU

Next.

Just a nice one. And heather Nova’s voice is a nice contrast to the more traditional Amy Grant and Leigh Nash and Karen carpenter. ‘Always Christmas by Heather Nova http://www.youtube.com/watch?v=6Wgd4-ngo0g

Next.

Christmas (baby please come home) by Death Cab for Cutie: http://www.youtube.com/watch?v=T4Yxq4QEkUE

I love Ben Gibbard’s voice. And I love this version of the song. Whoda thunk one of the best emo bands of all time would crank out a good holiday song.

Next.

A good modern one.  Surprisingly good.  Surprisingly little played.

Sleigh ride by KT Tunstall: http://www.youtube.com/watch?v=6t8rgWkRwIk

Next.

Listen The Snow Is Falling by Thea Gilmore http://www.youtube.com/watch?v=01fsYd0oa6s

(had to include this one)

Its just nice. And you never hear. And most people have no clue who Thea is.

Next.

Oh yeah.

O Holy Night by Josh Groban (his voice sounds pretentious at times … but … for the holidays? … his voice was made for songs like this ..) http://www.youtube.com/watch?v=FFln-AlC46M

And lastly.

Just cant leave this one off my ist.

So This is Christmas by John Lennon http://www.youtube.com/watch?v=8cJOm72QDDA&feature=related

How could this not make anyone’s list?

That’s it for my list. 19 songs (if I counted correctly)

I have more but these are songs I like to hear in order to get me in the melancholy state and upbeat state and in general … the Christmas state.

Thinking about the past.

Remembering friends and family (here and gone).

Reconnecting.

Seeing the joy in a child’s face …. Ok … anyone’s face.

Ok.

To make it an even 20.

Just for a smile. Listen to Guster sing “¿Donde Esta Santa Claus?”:   http://www.youtube.com/watch?v=LOganSDZyLM

Merry Christmas.

on the ocean r&b

So.

Just got back from 1st vacation in awhile. Decided on some warmth and sun and tropics.  Anyway. Almost no place in the world seems to understand how music plays a part in the overall vibe of being on some island in the middle of the ocean.

That said. let’s go back to 2009 for a minute (mainly because I overlooked this song).

Ok.

Let’s face it (part 1).

I am an old white guy so the black r&b stations are typically not high on my music rotation. So maybe I needed to go somewhere else to hear it.

Let’s face it (part 2).

But. A great r&b groove is a great r&b groove … and timeless.

This song just oozes out of the speakers.

Beautiful Music.

A beautiful voice.

This song, On the Ocean, I am sure was big but me, being a clueless white guy, just missed it.

But hey … I am the guy who thought Donnel Jones’ “U know what’s Up” was the greatest r&b song I had ever heard only to find out it had been out for over a year (and it is still a great song and maybe the highlight of CrazyBeautiful … okay .. La Siempre was the musical highlight of that movie).

Anyway. I am rambling.

Maybe in this genre I am always a couple of years behind.

Hmmmmmmmmmmmmmmmmmmm … maybe I am just a couple years behind in everything.

Oops.

That is another post for another day.

Here is the song.

On the ocean: http://www.youtube.com/watch?v=TA1T6KwJyko&ob=av2n

And just because I was curious ‘cause I had never heard of K’Jon.

A couple more nice songs:

After the Club: http://www.youtube.com/watch?v=MakTTT0eAHE&feature=related

Fly Away: http://www.youtube.com/watch?v=SkDbhtPVQ7c

Better late than never is my motto.

Enjoy.

Pete Murray

Smoky voice.

Acoustic guitar.

Storytelling songs.

Unhurried style.

No clue why this guy never made it big.

I have had this cd sitting in my amazon basket for years. And I had kept forgetting to move it into the “buy” section … until last week.

The cd is called Feeler (and it is really good). Many of his songs have that old Springsteen-like blue collar rock groove. Songs build from acoustic & rhythm guitar and drums often adding in a funky electric piano and organ.  It all creates a bigger anthemic feeling folk/rock storytelling cd. The cd is chockfull of classic rock’n’roll sounds lay the foundation throughout (like ‘Bail Me Out’). But listen to ‘So Beautiful’ (an ode to a lost lover) and t is almost the quintessential singer/songwriter performance of lingering regret, pain, anger, bitterness and the sweet memories. He sings in a way that makes all his lyrics seem honest and heartfelt.

Couple of songs:

So Beautiful: http://www.youtube.com/watch?v=wLxe-Y_CZtw

Bail me Out: http://www.youtube.com/watch?v=ddrqTroCZGw&feature=relmfu

Anyway.

He also has a new cd out Blue Sky Blue.

It’s a little bit different than Feeler … but good.  Oh.  And he intentionally made it different.

“When I first signed my record deal I had a goal, I wanted to do three big albums. I knew if I could do that I would have established myself as someone who had a good fan base to play to. I achieved that but after I took a good break I knew I just wanted to make an album that was even better, an evolution from what I had done.”

This new cd is the first Murray has recorded with a big-name producer (producer has worked with Beck, Foo Fighters, Elliott Smith and Badly Drawn Boy). Its also his first album recorded in the US, his first with a different band, and the first to move away from his traditional  acoustic sound and take a more “groove-driven approach” to many of the songs.

The album was recorded at Los Angeles studio Sunset Sound (which I have actually been to and which has been the recording location for artists from The Doors and Led Zeppelin to Beck and Arctic Monkeys). As a trivia point he is the most commercially successful Australian singer-songwriter of the past 10 years (albums Feeler, See the Sun and Summer At Eureka).

But Feeler is an extraordinary debut cd. And I should have picked it up earlier. The first thing that will grab you is his smoky textured voice. It has the enviously powerful singer songwriter combination of “conviction, grace and road weary aspects of emotion and truth” (I stole those words from some review).

His voice is perfect to deliver his songs ranging from something as simple as an overlay to acoustic guitar to a heavier sound with jagged electric guitars and some catchy riffs.

His  musical direction has always been to keep it as stripped back as possible and let the words and the vocals tell the story … up until this newest cd.

Anyway. Pick up Feeler.  It is good.  Very good.

And if you want a different Pete Murray pick up Blue Sky Blue.  It is different. But good.

the Guardian and the CMAs

Ok.  Read on if you want a perspective on the CMA Awards with blatant disregard of any country music knowledge (courtesy of the Guardian).

I briefly watched the CMAs because I like music in general and I like to see good musicians play good music (and country can have its moments along with all the other genres).  Plus.  I had watched some of the CMA FanFest on Palladia and there were some really good performances.

But, boy, the CMAs were pretty disappointing in comparison.

In fact … I will quote from one of the expert commentators who will be quoted below:

-          “ They’ve been pretty disappointing so far. The songs are what country songs have been sounding like for the last five or ten years and it makes it kind of the same. It all sounds very familiar, not at all fresh. Keith Urban is trying too hard and Sara Evans really can’t sing that well live.”

Ah.

But this post isn’t about my thoughts … its about the British invading Nashville’s finest moment.

as most of my readers know I am a Guardian (newspaper) reader. I just like the british perspective on things around the world. But up until now I am not sure I have laughed out loud reading an article in the Guardian.

Today I did.

The Guardian sent someone to the Country Music Award ceremony.

Yup.

A Brit commenting on country music (how awesome is that?).

Even better it is a streaming commentary live from the CMAs.  I knew I was in for a rollicking read when the writer who was going to do the live blog commentary opened with this:

7:00 pm: Well howdy, padners! Aren’t y’all lookin’ sassy tonight? Let’s saddle ‘em up because tonight we’re gonna be ridin’ – and ridin HARD – out to the Country Music Awards! Yee haw!

Now, despite my nigh-on bilingual skills, I’m going to be honest with you and admit that my knowledge of country music pretty much begins and ends with the word y’all.

So be prepared for plenty of Forrest Gumpian observations (“Wow, there are a lot of guys called Kenny in Country Music, aren’t there?”) and general expressions of enthusiastic bafflement.

Awesomely qualified to give us a clear unbiased (but 100% british) perspective on country music.

Oh.

But the writer did have two country music writers with him to provide some expert background perspective.  And I admit … even their comments were refreshingy honest (I am not sure they have much of a career in Nashville after having some of their comments printed for the world to see).

Regardless.

This may be the best stream-of-thought commentary of one of those made-for-tv award spectacles I have ever read.

There is a blatant disregard for any country music knowledge and a remarkable candid perspective on country music and wardrobe decisions and talent.

Here are my highlights (link to the entire commentary at the end).

8:04 pm: Oh my goodness it’s starting! And it’s opening with Blake Shelton and, oh yes ladies and gentlemen, KENNY LOGGINS doing Footloose, while a load of dancers writing around on scaffolding and spotlights swing around the arena drunkenly. All in all, it’s more like an the MTV awards from the 1980s meets ITV’s Gladiators than anything to do with country music. Well, they got me on side from the kick off. Well done, CMAs.

Incidentally, something very terrible appears to have happened to Loggins’s face recently. Let’s put it this way, his soul patch and earring are the least worrying physical elements on his face. I say no more.

8:05 pm: The hosts, Carrie Underwood and Brad Paisley, have just stepped on and are engaging in “comedy banter”. Incidentally, Carrie appears to be wearing a tent made out of several rolls of Charmin. And that is my professional fashion opinion.

8:09 pm: HIDEOUSNESS KLAXON! For some reason, Brad and Carrie have a pair of Barbie dolls (“OMG!” cries Carrie) and now they two of them are making their Barbies have sex. On stage. Loudly. Is this legal? Well, it probably is in Nashville.

8:19 pm: Carrie has changed her dress and Kerri and I agree it is “much better.” Bear in mind this is all relative. Keith “Urban” Kidman is playing in what looks like the center of the arena and Lord all mighty, look at those guns. Those things are so disproportionate I actually stopped laughing at his hair. For a minute.

8.24pm: Keith Urban keeps doing this unbearable kick with his little boots and it is so cheesy the whole room reeks of brie. Plus he’s wearing Q-reader uniform of black jeans and black shirt. I honestly think my fertile bits have just turned to ashes.

8.25pm: Now Sara Evans is singing, and she appears to be compensating for her terribly dull outfit (black trousers and black top – trend alert) by having dancers from Cirque du Soleil swing about on silk scarves. She is rhyming “longer” with “stronger.” Maverick.

Personal note: (this last comment made me laugh out loud … one of my biggest complaints with country music is the lyrical laziness …)

8:33 pm: Wow, Carrie has changed again, and is now wearing half a pink dress. Maybe she didn’t have time to put the whole thing on. Miranda Lambert is singing Baggage Claim and swinging those hips in a way I think someone once told her was “sassy.” She also appears to be wearing a World Wide Wrestling giant belt around her middle.

8:46 pm: The Flatts are joined on stage by Natasha Beddingfield, a who is wearing Snuffleupagus on her bottom half and just a bra on her top half. It is an extraordinary combination – brave, edgy, a definite hit for next season and, no, I can’t keep this up, it is complete and utter cack.

8.47pm: GONG! Sugarland win Vocal Duo of the Year and the experts in the office are disgusted. “They suck,” Jesse says. Kerri was rooting for The Civil Wars, which is not a phrase I ever wrote before.

I should have added earlier – the crystal awards that the CMAs are handing out are amazingly phallic. Again, this is not me being unfair. This is me reporting a fact.

Personal note: the civil wars (actually a really nice group) comment is very very funny.

10.47pm: Faith Hill is singing. Her make up is witchy, her hair is enormous and her pant suit is too tight. It’s all beginning to blend into one, isn’t it, readers? “She has a very wide stance,” notes Jesse. And now that he’s pointed that out I literally cannot stop staring at Faith’s straining crotch. Again, another phrase I never thought I’d write.

10.50pm: GONG! Female Vocalist of the Year goes to … Miranda Lambert! She of the Baggage Claim song earlier. And, my god, fellow nominee Taylor Swift looked miffed at that one.

“All of these ladies deserve this more than me,” says Miranda. In classic awards cameraman style, we get a straight-on shot of Taylor Swift who is giving what I think can be described as Death Eye.

10.55pm: Carrie Underwood, wearing a pair of beige curtains, has introduced Reba McIntyre, who, judging from her face, has her own wind machine, permanently blasting her straight on.

Whew.

My sides hurt. This was funny.

And funnily true.

Here is the entire commentary:

http://www.guardian.co.uk/music/2011/nov/10/country-music-awards-live-blog

I cannot wait for next year’s CMA.