Posts tagged metric
joy formidable
Jul 1st
Ok.
While joy, in general, should be formidable …. in this case … joy formidable is a band.
The main music comparison? Metric.
And I love Metric.
And this band is simply a UK (welsh) Metric.
Or a Shiny Toy Guns sound (if you like that band).
Some reviewers suggest the band’s style is “grungy pop.” (not sure I agree)
Another magazine said “ music drenched in fuzzy bass, propelled by driving percussion … their music transforms ear-stabbing reverb into something pretty, airy, girly and sometimes dark.” (that I agree with)
Upbeat. Slightly frenetic on occasion. Kind of a pop version of disco 2011 style. The first single is amazing.
And you are gonna hear it a lot (non stop) on the radio.
This is the song you have heard (or you will be hearing). Whirring:
http://www.youtube.com/watch?v=a2BUEzdjfpY
The Joy Formidable’s The Big Roar is very good. Initially you will get attached to “Whirring.” but it won’t take long for the other tracks to start running through your head with their infectious electronic riffs.
“A Heavy Abacus” is a more fierce sound, not as light, with uptempo electronica and lower chord darker/deeper guitar riffs which provide the perfect counterpoint for Ritzy Bryan’s vocals to weave in and out of.
I dug around a little and their website features their newest song “heavy abacus.” It does have a heavier guitar sound but still maintains that riff heavy manic disco-like sound. http://www.thejoyformidable.com/
Enjoy.
I am behind the times but an addictive song: “Help, I’m Alive” by Metric
Jan 16th
Metric is an indie pop rock group from Canada led by singer-songwriter Emily Haines. Their music is best described as a mix between new wave and modern dance rock. Suffice it to say it is energetic. The band’s sound is glammed-up 4/4 synth rock, with songs within songs and complex rhythm changes.
“The idea is, we’re taking [René] Descartes and kicking him down,” front woman Emily Haines said of the French philosopher who said the psyche and body were mutually exclusive. “We’re saying soul, mind and body are together and kicking him where it hurts.” (Awesome manifesto even if you don’t like their music).
Back to the addictive song. “Help, I’m Alive” is from the newest Metric CD Fantasies. The trouble with showcasing “Help, I’m Alive” is that the cd has maybe 5 or 6 addictive songs (the radio is just playing that song now – and “Gold Gun Girls” just last night).
Metric’s Fantasies has turned out to be one of those rare gems that you can enjoy all the way through. Beyond the incredibly addictive “Help, I’m Alive,” I highly recommend “Gimme Sympathy” (which is frickin awesome), “Gold Gun Girls” (which is frickin awesome), “Twilight Galaxy,” and “Blindness.” The album ranges from mellow rock to slightly edgy, never harsh. Perfect for driving or if you need something to get you going in the morning beyond the strong cup of coffee.
My Music Favorites of 2009
Jan 6th
Brice’s favorites inspired me to add my favorite music of 2009. While he tends to like good musicians I tend to go to the electronic dark sounds and angst type music of Dépêche Mode or Death Cab or Aimee Mann. So at least you will get a mix to choose from. Here you go.
Wow. If you like this kind of music, high energy club like, think maybe an updated Bronski Beat or Joy Division, this cd wont disappoint you top to bottom. Help, I’m Alive, Gold Gun Girls and Gimme Sympathy (of which even the acoustic version is pretty good) are just three highlights within a pretty outstanding overall track list.
Her double CD “Uppers & Downers” was so good it has been tough for anything she has done since to match up to the level. “Water” comes really close. And it is a really good CD. If she hadn’t put a wacky song at track 3 (I think) the first 6 songs are as good as she has ever written. The first 2 tracks “Breathe” and “Hollywood” are really really good. So. Track 8 is one of those songs that make you wonder what they were thinking about when they decided to not only put it on the cd let alone in the middle of the track list. The cd closes great. Track 10 is a quirky break up song with a beautiful chorus focusing on moving on. Track 11 then comes right back and beautifully talks about missing someone despite breaking up. Track 12 is just one of those sweeping majestic songs fisher seems to right on occasion.
Imogen Heap. Seems to be an eclectically strange woman. And she sometimes writes some odd mixtures of sounds and music. But. When she is good she is really good. Wonderful timing and shifts in the music seemingly tied to almost perfect lyrics. She doesn’t hesitate to repeat a good line when it works which I also like. There are three outstanding tracks on this CD “First Train Home,” “Wait it Out” and “2-1”. There are at least 3 other tracks that are really nice (and of course a couple of odd ones that always seem to have a section that has huge potential and then gets lost somewhere in a morass of sounds and effects).
I really like Carnavas (their first CD). All ‘Swoon’ does is improve their sound. They got a little tighter. The songwriting got a little more sophisticated. Their sound got a little cleaner (but not to the detriment of their sound). Some bands lose their rawness as they mature and it hurts them. In Silversun Pickups case it sounds like as they mature a little they get better a little. Swoon is an excellent cd.
Note: see my earlier post about this band.
And finally, some songs:
U2. “Magnificent”
Everything you love about U2. Driving bass. Edge chord riffs. Bono sweeping vocals. Anthemic feel. I wasn’t thrilled with the CD but this song reminds you of everything you loved about Joshua Tree and the bigness of U2 at their best.
30 Seconds to Mars. "Kings and Queens"
Spectacularly big sounding song. Jared Leto is a showman and he seems to like to write big anthemic songs and big sweeping videos. I have said it before but I use the 30 Seconds video for "A Beautiful Lie" all the time when teaching classes to showcase how music can be used to communicate a message. As a band their music can be inconsistent, but, when they hit one it is a tape measure shot out of the park. Kings and Queens is one of those songs to me. There is nothing gentle about it but it has a great melody.
Alice in Chains. “Your Decision”
I have always been a huge Alice in Chains fan. I love the darkness in their stuff and yet their harmonies were always strikingly beautiful. I thought Layne Staley for all his issues was the consummate dark grunge lead man. So an Alice without Layne Staley didn’t appeal to me at all. Yet. Your Decision does capture everything you loved about Alice. Dark but hopeful. Harmonies and that distinct guitar sound. I am not sure I will ever completely wrap my arms around a ‘Staleyless’ Alice in Chains but this song reminds me of everything I love of that Portland grungy sound.
I think you are either a Miranda Lambert fan or a Taylor Swift fan. The difference is like having your coffee black or with lots of sugar and heavy cream. Miranda’s first album is called Crazy Ex-Girlfriend (and that was a good CD). This year’s cd is ‘Revolution’. The song I am picking out is White Liar. She is unabashedly country and talented. She is not slick and still a little inconsistent but in the long run if I were a betting man I would say 10 years from now she will be crankin’ out kick ass Dixie Chicks in your face type music and Taylor will be most famous for dating one of the New Kids on the Block (or a Jonas Brother or whatever).
