Posts tagged music

skinny love

Ok.

Skinny Love is a song.

And this is very artsy thoughtful type music.

The singer is Birdy. And she is 16 (I think).

Sultry voice. Think maybe Fiona Apple’s first cd … but with a piano driven seriousness instead of the sensualness/sultriness that Fiona seemed to have.

Birdy is Jasmine van den Bogaerde.

She uses the name ‘Birdy’ because when she was a young child when she was being fed she would open her mouth wide like a little bird … her parents gave her the nickname.

Her mother is a concert pianist and you can see it in Birdy as you watch her play.

There is a nice little 3 minute interview with her when she was 15 and wearing big braces talking about not quitting school and her music: http://www.youtube.com/watch?v=3WBWWlzSUe8&feature=related

Its hard to believe watching the then 15 year old with braces talk that when she gets in front of the piano she creates the sound she does.

Which leads me to her music.

This is a nice song … nice message … but the video is outstandingly well done …

People help the People: http://www.youtube.com/watch?v=OmLNs6zQIHo

Another nice song.

Shelter: http://www.youtube.com/watch?v=QXwPUYU8rTI&feature=branded

And here is how she originally got on everyone’s radar with an amazing cover of a Bon Iver song called Skinny Love.

The song opens with  … come on skinny love … just last the year … a beautifully crafted heartfelt song.

Skinny Love: http://www.youtube.com/watch?v=aNzCDt2eidg&feature=branded

(I actually believe it is better than Bon Iver)

This is mature music … from a young lady just moving into maturity. The antithesis of Taylor Swift.

Her official site:

http://officialbirdy.com/

Enjoy.

of monsters and men

This is about a band called of monsters and men.

Here is an intro to the band (from Facebook):

About

We used to be birds but now we’re monsters.

Love it.

They are quirky. With a neat sound.

NPR says: Of Monsters and Men’s appeal is no great secret. Its members combine the anthemic exuberance and homespun theatricality of bands like Arcade Fire and Edward Sharpe & Magnetic Zeros. Their style, which also shares a strong male/female dynamic, is typically Icelandic: They combine earnestness and aptitude, which makes for irony-free, feel-good music that’s nearly impossible to resist.

Now.

I don’t know shit about Iceland except Bjork and it sounds cold (it’s the ice part of the name). But Of Monsters and Men is from Iceland. While I was hoping they would sing of fjords and endless winters the six person group actually sings some really thoughtful songs (done in interesting ways with accordions and banjos and a bunch of random instruments along with the traditional ones).

They first gained recognition in 2010 by winning Músíktilraunir, Iceland’s annual battle of the bands (I really just wanted to type an Icelandic word in here).

Ah.

But their first single hitting the American indie stations. Little Talks. Now this is a song.

I don’t like walking around this old and empty house
So hold my hand, I’ll walk with you my dear
The stairs creak as I sleep, it’s keeping me awake
It’s the house telling you to close your eyes

Some days I can’t even trust myself
It’s killing me to see you this way

‘Cause though the truth may vary
This ship will carry
Our bodies safe to shore

Hey! Hey! Hey!
There’s an old voice in my head that’s holding me back
I tell her that I miss our little talks
Soon it will all be over, buried with our past
You used to play outside when you were young,
Full of life and full of love

Some days I feel like I am wrong and I am right
Your mind is playing tricks on you my dear

Here is the song & video (very very strange video):

Little Talks: http://www.youtube.com/watch?v=ghb6eDopW8I&ob=av2n

Enjoy.

Dead Sara

Whew.

This is rock music … and good rock music.

Great riffs with a strong female lead singer.

Dead Sara’s music reminds me a lot of Full Blown Rose (who was an awesome Portland band but just couldn’t get their shit together as a band to stay together).

Dead Sara is fronted by singer Emily Armstrong and guitarist Siouxsie Medley who have been making music together since they were teenagers.

Here are some things I found about them just to give you a sense of what to expect.

A reviewer: the band traverses with ease from genre to genre producing melodic gems that flow right into in fierce, tear your head off, metal induced rockers all with a gritty, primal edge that leaves your ears wondering what could possibly come next.

Ok.

The story behind the band’s name.

Emily: We get asked all the time. Its from the Fleetwood Mac song “Sara”, where in it she says, “said Sara”. Siouxsie and I always liked it as “dead Sara”. So we decided later down the line to use it as a band name…plus it was the only name both of us could agree on!

They have been quoted as saying they want their sound to be “really raw and primal, even a bit unsettling.”

Siouxsie: While recording we were trying many raw and organic tones and sounds as that’s really who we are live. Our live show is very dynamic and raw and we wanted to convey that on the record.

Dead Sara music … okay .. I am gonna ease you into Dead Sara by sharing Sorry for It All first. This is Dead Sara ‘lite’ for the lighthearted …

Sorry for it All: http://www.youtube.com/watch?v=AZ5uaoc6Iss&feature=related

After this it gets much much stronger and darker and … well … really good if you like this stuff. I bet Motley Crue likes this band (and probably the guys in Linkin Park too).

The song “Weatherman” is on the radio but I think “I said You Were Lucky” is going to be not far behind. I am including both.

Weatherman: http://www.youtube.com/watch?v=cLGoeYOZ0Qs

And if you have any doubts as to their live performance ability there is a pretty kick ass version of this song live from the Viper Room.

Here is… I said You Were Lucky: http://www.youtube.com/watch?v=qOABjH96gtg&feature=related

Good stuff.

Certainly not Barry Manilow or even Indigo Girls but the music world would be boring without new bands like this.

Enjoy.

Oh.

And if you don’t know the Full Blown Rose reference here is a taste:

In the Light: http://www.youtube.com/watch?v=T6eOh6BTPw8

Somebody Help Me: http://www.youtube.com/watch?v=MxybTOkxDsw

Heapsongs

So.

Imogene Heap continues to convince me she must be an incredibly interesting person in person … as well as a talented musician. And she just released another new song … from China.

Think of this:

Featured on TED (magical gloves <that capture sound through motion>).

Finds musical inspiration in almost absurd ways (newspaper printers).

Innovative thinker (YouGov).

Certainly not mainstream (I envision most people have no clue who she is). But certainly way ahead of what I would consider a global collaborative thinker (not just a musician).

First. The song.

Heap is working on her fourth cd. But she is going about it in a really interesting way … it is almost like sh is releasing each song as a “cd” as she rolls out the entre cd one-by-one. While the cd will be a collection of songs written and released individually two months apart each “Heapsong” is a story in itself. As I just said … each song is almost its own cd. People should be paying attention to is concept … REALLY paying attention. Because this may be the way of the future. Full length cds simply being a means to an end (a compilation of individual songs).

The newest song, the 5th, she made in China and is called Xizi She Knows: http://www.youtube.com/watch?v=jgvAx2Bdt-o&ob=av2e

Ok. About the song (and another reason why I think she is one of the most innovative musicians out there today):

We went into a primary school class, where the children were doing their eye exercises, and the teacher giving them their instructions gave us our tempo. The sound of the newspaper printing presses – that became the beat. And we caught this woman who heads up this huge hill to a temple every day at sunrise and screams at the top of her lungs, so the sound of that is now in the middle section of the song.- Imogene Heap

Next.

She worked with YouGov to conduct a unique piece of research.

Imogen wanted to find out more about her fans by working with YouGov to write a tailored survey. Through it, she hoped to discover how her fans first came into contact with her work, when, how and why they enjoy her music, and what it is about Heap fans as individuals that mean they connect with her sound. It is a fascinating way to stay in touch with not only  fan base but a larger base of what I would consider ‘global influencers’ or, at minimum, people who care about issues globally.

YouGov mapping of HeapFans

YouGov Heap: http://labs.yougov.co.uk/news/2012/02/14/imogen-heap-results/

Oh.

By the way.

Every one of my readers (because I assume they read because they like to explore new ideas and be involved in a worldview) should register with YouGov.

While it is certainly UK based it explores global issues as well as UK issues and is really well done. A very easy way to keep in touch with a variety of global issues (and some are serious and some are not).

Here is the registration site: https://labs.yougov.co.uk/account/register/

Next.

I love the fact she has made new technologies and social media integral to who she is and what she does … WITHOUT losing her individualism.

Heck. in 2010 she accepted her Grammy for the best engineered non-classical album (there are so many frickin’ grammy categories its nuts) wearing an interactive Twitter dress <yeah … interactive> specially-made to enable her to ‘bring’ her fans on stage with her.

And.

She has been featured on TED as assisting in the development of “magical gloves” which capture sounds in motion.

I love the fact she is recognizing the importance and functionality of social media as a vehicle for, and measure, of not only engagement but also the possibilities created through collaboration by constantly involving people with various projects.

I have written about her before an this 4th cd but it us using an entirely new innovative approach to writing & recording by releasing one song every three months … because each song is basically being created through collaboration in a two-week song-composing flurry.

‘Lifeline’ and ‘Propeller Seeds’ were the first and second tracks created this way.

For ‘Propeller Seeds’, Imogen invited fans to share their moments of ‘clarity’ with her – namely, the times in their lives when “everything seemed to click” – to inspire her interpretation of this moment in her music.

Anyway.

Fascinating young lady.

And, from a bigger picture perspective, I believe her efforts and working style actually does more to encourage arts & music in people’s lives than any “music & arts is good” advertising initiative. She is involving people … and young people to see how music can be part of their lives.

Here is the Guardian article: http://www.guardian.co.uk/culture/2012/feb/23/30-minutes-with-imogen-heap#1

And if you ever wanted to be part of a song writing process … well … here is your chance. Her cd ain’t done yet.

Enjoy.

brit awards

So.

I have to hand it to the Brit music awards … there is always a dash of irreverence that never seems to make it to America.

They just seem ‘cooler’ and less concerned about the trappings of the red carpet and how they look but rather … well … just being themselves (even if it is not mainstream).

And <to add on to that last thought> their style of ‘not being mainstream’ doesn’t have the American angle of ‘trying to be cooler than cool’ or ‘trying to stand out so I  can be recognized’ but rather they just seem to focus on being themselves.  I don’t know how to say it any other way.

Adele flips off the producer on stage. Awesome. The wholesome looking gal flips a bird.

No one really seems to notice but on the show after she receives her award she is being followed by Blur …  who is a poster child for ‘not caring about being mainstream’ and maintaining individual perspective. Anyway.

Here are the top ten moments in Brit Award history just so you can get a taste if you have never watched the show: http://www.guardian.co.uk/culture/gallery/2012/feb/19/10-best-brit-award-moments?intcmp=239#/?picture=386123103&index=0

Ok.

Several thoughts from the Brit Awards.

Adele. I admit … I have never really ‘got’ what all the people are raving about.

Good voice? You bet.

First single awesome? You bet (albeit awesome because Duncan Sheik – of Barely Breathing 90’s fame – wrote an awesome hook for her).

But my prediction is she won’t be relevant … or in the music discussion … several years from now. She will have a great run … but a short run.

Ah, but, for now … the matronly looking Adele pleasantly flipping a bird on the show is priceless.  And she moves up in my estimation.

Next.

The critics choice award winner.

Emeli Sandé. She is a former medical student from Scotland with a big voice and some really good songs.

Heaven: http://www.youtube.com/watch?v=883yQqdOaLg&feature=relmfu

Next to Me: http://www.youtube.com/watch?v=-nwdjQmc_N8

Next.

The brit breakthrough artist? Lana Del Ray. She is actually an American whose real name is Elizabeth Woolridge Grant (at least she stayed in the land of the three named people). She has been described as a “self-styled gangsta Nancy Sinatra.” (I liked that so I put it in)

She has a song called Video Games which is really good:  http://www.youtube.com/watch?v=HO1OV5B_JDw

And another song called Blue Jeans which is not only good but shows an interesting way to showcase her music through videos: http://www.youtube.com/watch?v=okrEw7BXLek&feature=related

It is an awesome video. Actually … I like the way she does all her videos.

Anyway.

If you ever have the opportunity to watch European award shows (the good ones) you will not only see a different style of doing them but you will also get to see some good stuff that for some reason we just don’t get in mainstream america.

the foos

“honestly, if I would have taken this whole career things seriously I would have named the band something else because it is the worst fucking band name of all time.” – dave grohl

So.

I have been a Foo Fighters fan since day one. And I disagree with Dave … Foo Fighters is an awesome name (the name comes from the UFOs reported by Allied aircraft pilots in World War II which were known collectively as foo fighters).

I decided to write this because I just saw an awesome Behind the Music episode on the Foo Fighters.

(I will get back to that later)

I will be honest.

I would have never thought I would have been a Foo fan before I heard the first song. I didn’t like Nirvana. Boy. I tried to like them. But, boy, I didn’t (excepting Heart Shaped Box).  Everything else? Pretty much unlistenable to me (sorry Nirvana fans). Oh. And I thought Soundgarden, Alice in Chains and Dinosaur Jr. were better.

Ok. Side note.

Speaking of better (or at least some good music).

Here is some heresy in a Foo Fighters/Dave Grohl discussion. I am not only going to connect Courtney Love & Dave Grohl in a post (although there seems to be some animosity there I say facetiously) I am also going to say I like her music as well as the Foos.

Her second(?) cd, I think it was second, I thought was a good cd top to bottom with two outstanding tracks:

Celebrity Skin (Courtney): http://www.youtube.com/watch?v=O3dWBLoU–E&feature=relmfu

Malibu (Courtney): http://www.youtube.com/watch?v=v0CYB5V9e64

Anyway.

Back to the Foos.

Maybe I should have thought about what was happening with the Foos in the beginning. I didn’t know shit about Dave Grohl (other than he was a drummer … but Phil Collins was too – who would have ever thought Phil Collins and Foo Fighters would be mentioned together – and Don Henley was). But I did like Sunny Day Real Estate (2 Foos came from them when they broke up). I have always liked Pat Smears guitar playing and when he became a Foo I should have paid more attention.

Ok. Another side note.

I was lucky enough to see The Germs play at the old Starwood in West Hollywood and while I am not sure I got my hearing back for about a week I vividly remember standing there mesmerized watching Pat play these amazing underlying guitar riffs threading their way through some hellaciously bad singing (yelling?) from the Germs punk front man. I believe he was one of the guitar players I saw live very early on who made me pay attention to the nuances in what other people may have just heard as “noisy music.” He is an excellent guitar player.

<I am re-writing a ‘my starwood days’ series reflecting back on that place & time and will post soon>

But.

Back to the Foo Fighters.

There is a new Behind the Music Foo Fighters episode (here is the trailer):

http://www.vh1.com/video/misc/631803/foo-fighters-back-and-forth-trailer.jhtml#id=1659852

It is worth watching.

Dave Grohl is a good interview. And if you have any doubts about he feels about Kurt Cobain, and how he felt when Kurt died, you should see this. This is filmed 15 plus years after Kurt died and Dave still gets emotional.

In addition it is really interesting to hear a bunch of talented musicians all who pretty much came from talented bands who broke up and how they all got together and how they talk about it.

Anyway.

This is a good Behind the Music episode.

It takes you through the 16 year history (yeah … it’s been 16 years) of the Foo Fighters. From the cassette demos Grohl recorded while he was Nirvana’s drummer which created the first Foo cd to their current grammy winning cd.

Once a Foo always a Foo. That’s all I have to say.

new Cranberries almost Sundayslike

So.

The cranberries are back. ‘Roses’ is their new cd (their 6th I think) and is scheduled for release February 27th. I just heard the first release Tomorrow:

Tomorrow: http://www.youtube.com/watch?v=SBQeLenafqY

I have it admit.

It almost has a Sundays like feel to it … and The Sundays remain one of my favorite bands for their happy poppy sound … and Harriett Wheeler’s voice.

<so that is good for the cranberries>

And just because I mentioned it I thought  would include a couple Sundays songs:

Remake of Wild Horses: http://www.youtube.com/watch?v=u9lEd5bIbbQ

<possibly the best remake of all time>

Love: http://www.youtube.com/watch?v=V2LNEIOjTOA&feature=relmfu

<sigh. I miss Harriett’s voice>

Back to Cranberries.

The band is also offering a free download from the new cd … one of the deeper tracks on the cd but it is a good song. If you like the cranberries download it.

It’s been awhile since we heard from the cranberries (although Dolores released a couple of solo forgettable cds).

Which begs the question … why do some lead singers sound awesome in their band environment and some just … don’t well … sound as good solo (but they are still writing & singing the same type of stuff)?

One of those great unanswered questions I guess.

Anyway.

If you wonder what they have been doing and just want to catch up on cranberries knowledge there is a nice video of an interview they did on BBC Breakfast. Even if you don’t like the Cranberries it is just fun to hear the Irish lilt in the interview. Best part.  O’Riordan saying: ‘We went a bit mental’

BBC Breakfast interview: http://www.bbc.co.uk/news/entertainment-arts-16681453

I always like their stuff. I thought their next to last cd was underrated (hard to follow up the earlier music I guess). And they seem to be mellowing a little as they get older which I think fits Delores’s voice better.

Enjoy.

contemporary dance music (sort of)

Well.

I have always loved good dance music. Club, house, electronica … not sure what you call it but something with a good hook (it could just be smooth refrain or a looped backbeat) with a slightly below frenetic pace but fast enough beat that it gets the heart pumping and you drive a little faster (and do some bad but fun dancing).

And I know music is trendy but there seems like a bunch of new good dance-like stuff coming out. And here is the twist (today). They seem to be taking already upbeat pop songs (which invariably are built around a great hook) and juicing them up with a dance electronica sound.

Ok.

Let me call it electronic pop … or how about global pop (just because it seems to be more of a global ‘movement’ in music) and move on.

Well thanks to David Guetta, Pitbull, Taio Cruz and a growing list of cross over pop stars there is a swirling mass of really good fun stuff … combined with a bunch of mindless drivel encompassing intensely bad electronically produced music that is so alarmingly awful you not only wonder how it made it on the radio but how it was made at all.

How can you discern the drivel from the good? The hook. Always the hook. That is why some pretty good pop & hip hop artists are making some pretty good stuff in this quasi-new genre.

And you know it is truly becoming a trend when you hear a sleepy ole Adele song being spruced up for the dance floor. I sense Taylor Swift is not far behind on the dance floor remix scene.

Anyway.

To me it all began sliding into my listening vision maybe with Jason Derulo … probably only because he did an amazing job of sampling an Imogene Heap song.

And then Taio Cruz came along with Dynamite which was just fun to listen to.

It is global empowerment … Davide Guetta Ft. Usher

It is sexually driven … In the Dark and Juicebox

It is pop .. Jason Derulo sampling Imogene Heap … We found Love by rihanna … Katy Perry (almost anything she has done) and Maroon 5’s Adam Levine is building a new career off this genre

It is rap/hip hop pop … Flo Rida Feel Good and Gym Class Rejects with Maroon 5

It is just fun .. LMFAO (not ‘sexy and you now it’ which is a complete waste of airtime but their first song) and Usher ft. Pitbull as well as Jennifer Lopez ft. Pitbull

My best of the best (at the moment) and some of these are great driving songs and most are great dance club songs:

Pitbull

In the Dark by Dev http://www.youtube.com/watch?v=mgEixhE3Oms

Stereo Hearts by Gym class Heros ft. maroon 5/Adam Levine  http://www.youtube.com/watch?v=T3E9Wjbq44E

We found Love by Rihanna ft. Calvin Harris http://www.youtube.com/watch?v=tg00YEETFzg&ob=av2e

DJ got Us Fallin’ in Love by Usher ft. pitbull http://www.youtube.com/watch?v=C-dvTjK_07c&ob=av2e

Moves like Jagger by Maroon 5 ft. Christina Alguilera http://www.youtube.com/watch?v=iEPTlhBmwRg&ob=av2e

Give me Everything by Pitbull ft. NeYo  (awesome song) http://www.youtube.com/watch?v=EPo5wWmKEaI&feature=related

Watcha At by Jason Derulo ft. Imgene Heap (sample) http://www.youtube.com/watch?v=pBI3lc18k8Q&ob=av2e

On the Floor by Jennifer Lopez ft. Pitbull http://www.youtube.com/watch?v=t4H_Zoh7G5A&feature=related

Juicebox by Sexoflex (so NTSW you won’t hear it on mainstream and I wish I could just upoad the song because the video is nasty) http://vimeo.com/33340940

Got a Feeling by Flo Rida ft. Etta James (which is awesome he used her all in its own right) http://www.youtube.com/watch?v=3OnnDqH6Wj8&feature=related

Break your Heart by Taio Cruz ft. Ludracis (Ludacris may be one of the best hip hop rappers out there)  http://www.youtube.com/watch?v=y_SI2EDM6Lo&ob=av2e

Without You By David Guetta ft. Usher http://www.youtube.com/watch?v=jUe8uoKdHao&feature=related

Turn me On by David Guetta ft. Nicki Minaj (but may be one of the worst videos of all time … and is extremely aggravating if heard over & over) http://www.youtube.com/watch?v=YVw7eJ0vGfM&feature=branded

Dynamite by Taio Cruz (older song but still sounds good) http://www.youtube.com/watch?v=VUjdiDeJ0xg&ob=av2e

Firework by Katy Perry http://www.youtube.com/watch?v=QGJuMBdaqIw&ob=av2e

And I just heard an old school which reminded me I loved this remake … Coolio doing Fantastic Voyage (excellent remake). http://www.youtube.com/watch?v=cbhkuu4e0iw

Anyway.

It is always interesting how new music genre evolves. This has always been around (mainly in Europe) but it seems to be going mainstream.

wonder of birds

So.

I just heard another song and it made me think about “couples bands”  … like Over the Rhine or Weepies (a post to follow on their new cd) … and going back maybe K’s Choice (brother & sister) … but the song I heard made me want to spend a minute talking about the band Innocence Mission (husband & wife). The song was Wonder of Birds: http://www.youtube.com/watch?v=-sXOIrvOMKU&feature=related

Yup.

Innocence Mission is an acquired taste. It certainly isn’t uptempo but oddly it is upbeat (in message).

I tend to call them the best band in the “wistful Alt-pop genre” (I think i made that genre up). They are probably known best for Bright as Yellow which was used in the movie Empire State Records (a great movie … a great song … a great soundtrack).

Bright as Yellow: http://www.youtube.com/watch?v=eA4ZfLzy1VM&ob=av2e

Their songs have a … well … I imagine it is like a ‘fragile’ quality.  Mostly because they are all sung by Karen Peris (her husband is the other songwriter & guitar player) and she has probably the consummate wistful voice. I have never seen them in concert and I wonder if you can even hear her when she sings live. She sounds like a wistful storyteller … and the songs just seem to wander in a light way … and you get sucked in thinking if you lean closer you get to hear them a little better because they seem to have something important to say. With Christian underpinnings they tend to write hopeful introspective songs but you really have to pay attention. The Innocence Mission have been doing their thing for over 20 years and 10 albums (and their sound hasn’t really evolved much over time … it just is what it is … and it is good).
They have this interesting ability to create songs which thru the lyrics and music arrangements seem to have an emotional level that is, well, comfortable … like sitting in a room filled with a group of friends just talking and laughing.

Can I listen to their music all the time? Nope.

Do I like to listen to it when I am reading (or writing)? Yup.

And maybe what I like best? Wonder of Birds may be the most aptly song name to describe Innocence Mission.