Enlightened Conflict

frightening Fructis fall fight

February 27th, 2013

So.fructis absurd

Fructis went with alliteration to name their new product … I just was alliterative to illustrate how frightening a recent television commercial I saw was.

Before I explain why their recent television commercial frightens me … a couple of caveats:

-          I have never worked on a shampoo product

-          Yes … I have worked on products in the health & beauty industry

 

That said.

Their ad frightens me.

Oh.

But first … “fall fight”?

Oh boy.

Here is a stretch.

“Notice strands in your bathroom sink or brush? Improve hair’s resistance to everyday hair-fall due to breakage.”

So this shit fights everyday hair falling out <is that an issue?>. Now. Some people may call this “going bald little by little” or maybe “everyday dead useless hair being eliminated so that newer fresher stronger hair can grow in.” But, as noted earlier, I have never worked with a shampoo brand … so what do I know.

Anyway.

While I was first surprised that Fructis was advertising a Fall <seasonal> product in the winter I was pleasantly <if albeit still confused> surprised to find the name had nothing to do with the season but rather your hair falling out <an annual issue … not a seasonal issue>.

Ok.

The execution.

 

Fall Fight ad: http://www.youtube.com/watch?v=481l1HoRThQ

 

Let me run through the logic in what you just saw <I am writing as if I participated in discussion … but I didn’t really>.

She has to brush her hair inside … because that is where cool people brush their hair before they go out and do something cool. Oh. Plus. That is where hair falls out <at home>.

Whew. So … how do we show hair falling out?

A hair ball. That’s it. And if we have a hair ball we can have a cute kitten <because people like kittens>.

fructis fall fight kittenExcellent.

Oh. Does the kitten puke the hair ball? Oh. C’mon. That’s disgusting. The kitten is just playing with a disgusting tumbleweed of hair that is somewhere in the house.

Wow. Great idea.

Oops. But we have to go outside because that is ultimately where cool people hang out with other cool <good looking> people and do cool things.

What about the kitten?

Well. It has to stay inside because … well … it belongs at home <eating all the hair that has fallen out … and if it pukes it will be off camera>.

So. Now we are outside.

But now that she is outside we need to her to look smart <as well as having fun>.

Ok. Let’s put glasses on her. Lenses in or lenses out? Aw. Who cares? She looks smart and we want people to think that smart, fun, cool, good looking people <whose hair falls out> buy our shampoo.

<cut to putting glasses on her>

Hey.

She does look smart. Let’s actually make her smart. Let’s let her tell everyone about the key ingredients in the shampoo <which tells everyone that we were smart to create a shampoo that scientifically keeps you from going bald>.

But she is outside … how do we make her actually smart?

Aw. Who cares? Let’s have fun. Let’s give her a blackboard in the middle of a field and have her show some random molecular diagrams with the names of the ingredients next to them <is it really the right molecule structure? Aw. Who cares? What girl who buys our product really cares about that stuff … it just looks smart … and of course then they will think they are smart! … plus … we put the name of the ingredient next to it so they will think it is right>.

(yell to some intern t go on wikipedia and get some molecular images to copy)

A blackboard in the middle of the field?

Sure. In fact. She is so smart she carries a blackboard in her car wherever she goes. Wow. Should we show the car? Hmmmmmmmmmmmmmm … interesting idea. Shoot it. We will have it in the can and if we have the time we can put it in somewhere.

What about the kitten? Should it be with the blackboard she is carrying around?

Wow. That’s silly. It’s at home playing with the hairball … why would she be so mean to take it away from that? Don’t overthink. Your first idea was good. Put the blackboard in the car and get some footage <but we don’t want to pay overages>.

Ok.

Now we need to show that our shampoo is strong … but fun.

Ok.

Why don’t we have a boxing ring in the middle of this field and shadowbox with real looking boxing gloves to show strength?

Wow. Great idea.

Hey …. hmmmmmmmmmmmmmmmmm … why don’t we also have one of those ‘high strikers’ you see at carnivals and not only is she smart but strong enough to show the shampoo is strong? <and that allows one of her good looking friends to box in the field so she doesn’t get sweaty>fructis fall-fight-tv-commercial

 

<high striker definition: A high striker, also known as a strength tester, or strongman game, is an attraction used in funfairs, fundraisers, and carnivals. It operates by utilizing the lever where one end holds a puck attached to the tower and the other end is struck by the person or contestant using a hammer or mallet. The aim of players is to ring the bell suspended on top of the tower. If the lever is struck with enough force, the puck will rise high enough to hit the bell, indicating a success. Modern versions use a spring-loaded version of the lever, others use an enclosed striking mechanism.

Operators entice people to try the high striker with phrases such as: “Step right up!”,”Test your strength!”, or “Who are the men out of the boys?”>

 

Wow. Excellent idea. A boxing ring AND a carnival.

A carnival in the middle of the field? No silly. Just the high striker.

Wow. That is brilliant <and fun>.

Ok.

Don’t forget.

We need to show some other people to show she isn’t some narcissistic self-absorbed hermit with a kitten. So let’s have some good looking people hanging out like they are wanting to hang out with the smart girl who is no longer going bald.

Excellent.

Go down the hallway to where I think they are doing the casting for the Calvin Klein ad campaign and see if you can grab a  couple of people.

Ok.

Where do we put them?

In the field stupid. That’s where all cool smart people who are not going bald hang out with their friends.

Should they have a blackboard too? Hmmmmmmmmmmmmmmmm … no.

If they do not have one that suggests our Fructis girl is smarter than they are because she buys our stuff … but she is an influencer! Everyone will assume she tells them about our shampoo and they will go out and buy it. Excellent. We have incorporated word-of-mouth into traditional tv advertising <tell the junior account person and maybe we can amortize the cost of production over this word of mouth thing>.

Oh.

And we need a cool song <even though the song is relatively meaningless to the execution communication> so let’s use something by the Ting Tings <Great DJ is the song>. I know their music is used on Gossip Girl so it will be perfect for us. Who cares how much it costs! Darn it … we are a fun cool brand and Ting Tings are a fun cool band <cut to senior management on both advertising and client side making a note to themselves, using a pencil, to find out who the hell the Ting Tings are>.

————–

Whew.

abandon shipThat’s it.

There is so much random stuff happening in this advertisement my head hurts.

Now.

Someone is going to argue I am not in the target audience and that it is a ‘fun’ ad.

On the first part? Correct. I am not.

On the second part? You can create a fun informative execution without having to resort to simple random shit. Yeah. I said random. There are so many little ‘bites’ of information and lifestyle cues I have this vision that there was a long checklist of things they wanted to say and show and then they figured out how to piece it all together <under a basic framework of ‘fun’>.

Look.

Developing ongoing campaigns is significantly more difficult to develop good stuff <technical word for ‘work’> than one-offs.

But confusing the two is bad … really bad. What do I mean? Well. It seems like in today’s business world of ‘what have you done for me lately’ brand managers are often suggesting ‘treat this as if it needs to be a standalone idea’ with the good intention to get a break through type idea/execution … but the bad intention of “I don’t give a fuck what has been done before me … I want to do something great!” <usually stated in front of their marketing/advertising vendors with not just one exclamation point>.

I imagine it is up to the partners/vendors to bring some logic, if not some rational long term perspective to the discussion, but I recognize it becomes tough to do so when you have a young, or semi young, client saying ‘give me something different <or else … threat in whispers …>. So what marketing/advertising partners do as they shift into survival ‘responsible’ mode is that they develop some broad strategic guard rails to work within.

For example … try out … ‘well … Fructis is a fun brand for fun people and fun events/life’ <note that ‘fun’ is the operative word>.

Honestly … that strategic direction sucks <because it is broad and relatively meaningless … and Disney is a fun brand> but it gives the idea developer <creative people> a virtually endless horizon of possible paths to pursue.

Regardless.

I get frightened when I see advertisements like this because someone actually thinks this is good for Fructis long term.

Short term? I may not have even invested the energy writing about it <although it is a wacky configuration of stuff in an advertisement>.

Actually I get frightened on a variety of levels.

Hair falling out shampoo? <and calling it Fall Fight>

The advertisement? <actual execution>

The development? <how the idea was actually developed>

 

In the end.

Is the advertisement really bad? Of course not. It is kind of a wacky semi likeable ad.

I just cannot envision it being in the ‘good’ category in terms of execution and strategic.

Plus.

It gave me something to write about.

against passing time … Brel 1

January 19th, 2013

“My death awaits among the falling leaves. leaving joel robisonIn magicians mysterious sleeves. My death waits in a double bed. Sails of oblivion at my head. Pull up the sheets. Against the passing of time.”   – Jacques Brel  <lyrics of a song>

I have no idea where I read, or heard, these lyrics from Belgian singer/songwriter Jacques Brel a french singer who was particularly well known for his lyrics.

But these lyrics hit me as a beautiful way to think about death.

Now.

Death is a scary topic <people look at you differently if you happen to bring it up>.

Heck.

Death is a mysterious topic <it can simply appear like from a magician’s sleeve>.

A Life truth?

It is difficult to not think of death, and mortality, on occasion.

It is everywhere … and nowhere <if you are smart>.

It awaits everywhere … yeah … everywhere … unseen and yet within everything you see <fall leaves for example>.

Should you seek it?

Should you look for it?

Of course not.

 

Pull the sheets up against the passing of time.

 

We should pull up the sheets against time. You aren’t hiding from the thought of death … you are simply denying that day to begin.

It is a nice thought.

Bury yourself under the warm sheets and covers to enjoy the warmth of life.

Death comes soon enough.

And there are more than enough reminders of what eventually awaits us I life.

Regardless.

I imagine the thought behind the words is while you should avoid it <as it exists everywhere> that within that ‘everywhere’ there is a beauty.

Falling leaves.

Soft sheets.

The magic of magicians.

And while Death is mysterious … it is not to be feared … but should reflect the magic of your life.

So.

I have written “do not go gently” many times before … but I also believe death should not be feared.

against the pass of timeIt certainly awaits all of us.

And at some point I would imagine we would want it to be a beautiful ending rather than an ugly ending. And I don’t mean a struggle but rather that we carry enough beauty within us at the end that people bow their heads and feel some type of real loss.

Is it a real loss?

Of course not.

People move on … and people take what beauty you may have had to offer and make it … well … more beautiful.

Death should always translate into something more. Not an ending and not even a beginning but rather a continuance of you <and whatever ‘you’ is>.

That’s what the gig is.

Who you are shouldn’t end with you.

Just as falling leaves build upon growing trees.

uncovering the obvious

January 17th, 2013

Ok.uncovering the obvious

One of the craziest discussions you have with businesses is often about what they want to tell everyone about themselves as important (or differentiating).

Here is a marketing truth <that marketing people always fear to tell businesses>.

Businesses want to state something obvious.

But they want to claim it is superiority.

And, ultimately, it ends up simply being hyperbole.

And it isn’t just advertising … it is everyone and everywhere in a business. Sales, marketing, advertising, internal communications, PR and it even creeps into vision and mission direction/statements <where it can actually create harm>.

Obvious disguised as hyperbole is the bane of the communications industry.

This came to mind during a discussion I had on “nothing really good is ever easy” and I laughed and said “nothing really bad is ever easy.”

I didn’t say this just to be a smart ass <although I do enjoy being one>.

 

It is the oldest advertising trick in the book.

Reverse a ‘claim’ and see if it is something that anyone would ever do … or say. You can eliminate a lot of silly, if simply obvious, ideas by doing this.

I learned this one really on in my career from the advertising’s infamous David Bell when I was working at an advertising agency called Bozell in NYC. While David and I may have had our differences he was a wizard with clients and business leaders.

He taught me this one as we sat in a room filled with a non-stop testosterone driven group of a dozen client ‘marketing experts’ who bludgeoned us with ‘here is what we need to say about our company’ ideas. David staved them off one by one by reversing them to suggest ‘why would we say this? Because the alternative isn’t really an alternative is it? … and, if you agree, then what you want to say doesn’t say a lot about us.’

Ok.

Let me be clear.

What do I mean?

“We care about people.” <or> “We are in the people business.” <usually stated with an exclamation point or two>.

Flip it.

“We don’t care about people.”

“We are in the non-people business.”

Who the fuck would ever say that? No one.

Well. Unless maybe you are a zoo.

Flipping the claim points out your claim isn’t really different, or certainly not distinct, from anyone else.

Another.

“service matters.” <or> “service exceeding expectations.” Heck. even … “exceeding expectations.”

Flip it.

“Service doesn’t matter.”

“Service not exceeding expectations.”

And the infamous “meeting expectations.” <a nice low bar to meet>

C’mon.

Is there any business out there who offers the second, flipped, version? Of course not.

So that means what you are staking a claim to sounds good and makes you puff your chest out a little <a lot> … but it is meaningless in terms of differentiation, distinctness and drumming up business.

As I said … this conversation is one of the nuttiest discussions in business.

It gets even more convoluted because developing a tagline for a company is difficult. Yes. That I admit <and have the scars to prove how difficult>.

Therefore many businesses take their sales or organizational rallying cries <“go beyond the expected!”> and suggest you make it their tagline.

Uh oh <I typically started looking around for the M&M’s and the bar about that point>.

Look.

I am absolutely an alignment guy.

I believe in aligning an organization around a vision and a functional delivery focus.

But using words as an alignment tool is very tricky. It can be done … but it is tricky … and has to be very well thought out.

And sometimes it just cannot be done.

Regardless.

Once you uncover the obvious you should avoid using it to differentiate.

Oh.

My favorite to this day remains … “our people are our difference.”

Well.

When are the people not the difference between companies? <unless we go to Star Wars Episode III: Attack of the Clones and believe organizations are hiring clones … hmmmmmmmmm … which could explain unemployment … well … anyway … different post>

uncovering the obvious1Anyway.

I call this exercise “uncovering the obvious.”

And, yes, sometimes telling people the obvious in marketing & communications is important.

And, yes, I have often encouraged businesses to state the obvious <particularly when research has suggested that people need to be reminded about the obvious>.

But, no, I have never suggested stating the obvious as a superiority claim.

Because it is silly.

And, ultimately, the only people who do not believe it is silly are your own sales people <or most employees> because everyone on the outside will simply give you a quizzical look and say something along the lines of … “uhm, I kind of expected that.”

Now.

I tried to think about when it is appropriate to state the obvious and actually another blogger <Kog’s qualms> addressed this for me already:

I can’t quite figure out why people state the obvious and, why they do it so often.  Whatever the reason, I definitely have a qualm. But I’ll allow for exceptions.  Obvious statements are okay in two cases:

1) when you’re excited and having a fantastic time and you want everyone to know: “I’m having so much fun!  This is so exciting”; and

2) when you’re talking about the weather: “It’s so sunny!” or “ugghhh rain AGAIN!”.  The first type of statements are functional and life affirming and the second are the cornerstone of small talk and just about the only thing everyone in the world can talk about and agree on.

So.

Unless a business is having extraordinary fun <and wants to tell everyone> or wants to talk about the weather … steer them from stating the obvious.

All that said.

I am ashamed to say that I have lost too many of these types of battles in my career. So many, in fact, that I consider the few wins to be extraordinary moments in my career.

And sadly I believe my experience represents the majority.

In the end?

I am fairly relentless in teaching aspiring professionals to discern the obvious from the distinct differentiator. I do so not only because it is the right thing to do but with the hope that they will be better at winning these battles than I.

magnum for pleasure seekers

August 21st, 2012

So.

Every once in a while you see something that makes you (a) laugh, (b) cry or (C) swear out loud.

This one? I laughed out loud.

But. I guarantee someone is going to cry and a bunch of people are gonna swear out loud.

Ok.

I saw an ad for “Magnum ice cream.” Yup. Magnum. Even better? Their tagline is “for pleasure seekers.”

What made me laugh out loud?

How about MAGNUM® Lubricated Condoms <The Gold Standard® in comfort and protection>.

So I named my ice cream after a “larger than standard condoms for extra comfort.”

Awesome.

You just can’t make this shit up.

Well.

I have certainly been involved in more than my share of naming projects so let me tell you how this went …

-          We came up with a great name for our ice cream! Magnum. It says powerful <taste>.

-          Well. yeas. We did a trademark search and … well … it is a gun manufacturer … you now … 357 & 44?  But no one will ever confuse ice cream with guns so we should be good. No category confusion. Use the name.

-          Oh. Yeah. It’s a condom too … but c’mon … condoms are marketed to men … and … well … ice cream is sold to women. No women will know that there are condoms named Magnum. Oh.

Magnum Condom

And even if they do maybe they will convince their boyfriends it is an ice cream for men and they should buy lots of it and keep it in the freezer for whenever they stay over.

Awesome.

Okay. I made that up <but it is a viable scenario … trust me>. The truth is that this is a European ice cream coming to the USofA.

Launched in 1989, Magnum was the first handheld ice cream targeted as a premium ice cream for adults. Today, Magnum is one of the world’s leading ice cream brands, selling one billion units annually worldwide, and it is the biggest brand of Unilever ice creams. Magnum gourmet ice cream bars are made from the finest ingredients—silky ice cream dipped in thick Belgian chocolate. They can include such delicious layers as caramel sauce and a rich chocolatey sauce.

Look.

I don’t care.

I think it is funny.

Magnum for pleasure seekers. Condoms & ice cream. Let’s have a party.

fiat

August 19th, 2012

Ok.

There are a lot of tricky things in marketing communications but two of the trickiest is to (1) communicate your heritage (how long you have been around) and (2) communicate where you are from.

Heritage is a double edged sword.

Credibility and old … oh … and who cares.

Where you are from is also a double edged sword.

Credibility and “not from here” oh … and ‘who cares.’

Suffice it to say that both are useless <i.e., no one will care> without being tempered by some relevance.  And when tempered properly with relevance than people do care.

Anyway.

Fiat has taken on the “where are we from” challenge.

And quite well I may say.

It’s not easy but they have made “Italian” attainable in a likable relevant way.

I would suggest they have done a brilliant job mastering the nuances but that would suggest I know what the hell I am talking about.

First.

The Fiat Barth tv spot.

Wow. Little things done very well. The woman is clearly exotic … but attainable exotic. Simple black sheath dress.  Taller than guy but not too tall. No fingernail polish and short nails (she doesn’t look like she is gallivanting down Rodeo drive or champ de Elyse). Nice figure but not extraordinary in “stripper” (or enhanced) ways. And the scorpion tattoo on the back of the neck is an absolutely fabulous touch (I cannot even imagine the discussion and debate that took place around that detail in creative meetings).  It is so well done all I can do is applaud.

This commercial was done for sure by Richards Group out of Dallas.

Fiat Barth: http://www.youtube.com/watch?v=siWVgAzhFC8

Ok.

And then the newer tv commercial.

Coming to America (tv spot called ‘immigrants’).

Wow.

A cross between lemmings with an objective and symbolically how easy it is for Americans to get a taste of Italy. Beautifully done. Using just enough Italy to establish the Italian mystique. Using just enough of the symbolically impossible to make it interesting. Using just enough metaphor thinking so that we unconsciously capture some interest. Oh. And the music. Well well played. Italian shifting into Pitbull as the Fiat comes ashore in America.

The kind of nuance I appreciate.

This one I am not sure who did … maybe Doner or Richards Group (both are Chrysler ad agencies).

The music is called “Come Back to Sorrento” or “Torna a Surriento” by Arianna and Pitbull.

Fiat immigrants: http://www.youtube.com/watch?v=fi80LapfFI8

And if you are interested in seeing all the television ads they currently have in their portfolio here is a link to all the Fiat commercials: http://www.youtube.com/fiatusa?sid=1037056&KWNM=fiat+commercial&KWID=3109902851&channel=paidsearch

I know I pick on the absurdity of a lot of marketing & advertising but I do like to do a shout out when something is done well. Especially when the attention to detail and managing the nuances <which can truly make an “okay” communications idea into a “really good” communications idea.

Oh.

And while that last point is probably an entire post in itself suffice it to say that thought <assessing what nuances are truly important and managing them properly> is generally the difference between large and small agency work. And hack agencies and good agencies. But, as I said, different post.

Enjoy and well done Fiat.

if you want it (words) done

August 15th, 2012

So.

Advertising copywriters may be some of the best <and worst> writers in the world.

I admit … the bad are really bad. And it is also a truth <in general> that the youngest need experience to be really really good. Or, maybe better said, they need someone experienced to edit their raw brilliance into a whole brilliance. It takes practice and experience to become good at simplicity <and word people, because they are word people, love words so inevitably they like to use them>.

Anyway.

Just like poets great copywriters seem to be able to capture the essence of something big, really big, in a very very small group of words.

I keep a folder of some of the best things I have seen written by copywriters.

I have been really fortunate to work with some great writers. I have seen and heard sentences that have made me sit up in my seat and think “wow.” I have seen and heard sentences that have made groups of people go “can I hear that again?”

I could write pages of those things from some of the most underappreciated writers in the world … copywriters.

Anyway.

I thought I would write this because of the Nike tv spot that was aired during the Olympics. Because if you watched the Olympics <at least in the USA> you would have seen this Nike commercial featuring Nathan Sorrell, a middle-schooler from London, Ohio. Called “Find Your Greatness,” the one-minute spot shows a runner in the background getting closer. The reveal is that the athlete is no Olympian, but a determined 5-foot-3-inch, 200-pound preteen. We’re all capable of greatness, says the voiceover. Oh. How about … “greatness is no more unique to us than breathing. We’re all capable of it. All of us.”

(full version) Somehow we’ve come to believe that greatness is only for the chosen few, for the superstars. The truth is, greatness is for us all. This is not about lowering expectations; it’s about raising them for every last one of us. Greatness is not in one special place, and it’s not in one special person. Greatness is wherever somebody is trying to find it. Find your greatness.

Beautifully, and brilliantly, articulated. Not a wasted word.

Find Your Greatness Jogger: http://www.youtube.com/watch?v=LsXRj89cWa0

To me? This is a spectacular commercial. Simple execution driven by words of thought … and hope. The message could have been communicated a hundred different ways but this one didn’t waste a word … or thought … in the way it was written <well done Nike>. I also like the UK version but thought it was more expected <Greatness UK: http://www.youtube.com/watch?feature=endscreen&v=gHFhGDWP9Fs&NR=1> therefore when put side by side with ‘the jogger’ I would suggest the UK version montage makes you feel good … but the jogger goes deeper reflecting the greatness within an apparently non-great exterior. That execution showed the geeks and nerds and non traditional athletic build kids that somewhere inside is whatever they want … if they work for it.Once again. Brilliant.

Anyway. The following three examples showcase what a great copywriter can do <all from advertising campaigns>:

“Everyone is in such a hurry. People haven’t found meaning in their lives, so they’re running all the time looking for it. they think the next car, the next house, the next job. Then they find those things are empty, too, and they keep running. Once you start running, it’s hard to slow yourself down.”

“If you want to see something done, just tell some human beings it can`t be done. Make it known that it`s impossible to fly to the moon, or run 100 meters in 9.9 seconds, or solve Fermat`s Last Theorem. Remind the world that no one has ever hit 62 home runs in a season or stuffed 18 people into a Volkswagen. Dangle the undoable in front of the world. Then, consider it done.”

“Here’s to the crazy ones, the misfits, the rebels, the troublemakers, the round pegs in the square holes, the ones who see things differently. They are not fond of the rules, and they have no respect for the status quo. You can quote them, disagree with them, glorify or vilify them. About the only thing you can’t do is ignore them. Because they change things. They push the human race forward. And while some may see them as the crazy ones, we see genius. Because the people who are crazy enough to think they can change the world, are the ones that do.”

In the end I tend to believe the great copywriters are able to capture a glimpse of hope, or what ‘could be’ somewhere in what they write. As well as an every day humanness. We get a glimpse, regardless of whether we are red, black, white, green, indigo or blue, of something within us.

It doesn’t have to be the entire thing they write <although those are the things that truly are the best because they are stories and not just a thought> but somehow … someway … they take the trite, the obvious, the common sense, the banal … and inject a small dose of hope which lightens it in such a way it floats a little higher in your conscious and shows you that it … well … can be better than it is.

As Microsoft suggested … they enable you to ask …

“Where do you want to go today?”

jeep & robert frost

January 24th, 2012

Ok.

It is very difficult in the car advertising business to make your advertising stand out.

Car manufacturers spend zillions of dollars (ok … only billions of dollars) and it is difficult to find something truly new and relevant and interesting to say.

So sometimes you just have to find a different way of saying the same thing and hopefully it stands out.

Jeep Wrangler Arctic just did it (for me at least).

In the television ad I saw I heard a poem I sort of recognized … and I couldn’t figure out who the voice was who was saying it (but it sounded dated).

The poem (and words used in the ad)?

“Stopping By Woods on a Snowy Evening”

The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

The author? Robert Frost.

Holy cow.

Some copywriter dug around in his/her literary mental archive and saw these words and said “shit … I bet if we put some amazing footage of a Jeep Wrangler (Arctic to be specific) driving through some impossible snow underneath these words … well … it would be the shizzle.”

Then he/she thought some more and said …

“Oh. No. Let’s do better. Let’s use Robert himself.” (thought bubble attached: hmmmmmmmmmmmmmmmmm … I wonder if there is a recording of Robert Frost reading it?)

Holy shit (instead of ‘cow’ this time). Yes.  There is: http://www.youtube.com/watch?v=hfOxdZfo0gs&feature=related

And then they edited it to make this Jeep ad:

http://www.youtube.com/watch?v=hHeG8J5b1U4&feature=results_video&playnext=1&list=PL3F36F72A7E0D8CB7

(by the way … if you stay on the link and let the next Jeep Compass ad run it is a great border collie ad)

Ok.

Is it brilliant advertising? Maybe not.

It is a brilliant creative way to say what you want to say? You bet.

It is an incredibly creative way of saying something that almost every ‘rough ‘n tumble’ car manufacturer has said.

Will most people know it is Robert Frost? Hell no.

But it sounds cool and tough and timeless and the words are relevant and if you do know it is Robert Frost … well … it make you feel like you are a smart Jeep owner.

Anyway.

Here is the entire Stopping by Woods on a Snowy Evening poem:

Whose woods these are I think I know.
His house is in the village, though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.

The woods are lovely, dark, and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

Good stuff Jeep.

Oh.  I have read a couple of commentaries on this advertising where some people were getting in a tizzy (a technical term) on using Robert Frost to sell Jeep Wranglers. Geez people … get over it. Get a life. It is a smart idea. And it’s not like they are using his poem (and voice) to sell feminine wipes or erectile dysfunction drugs (not that there is anything wrong with either of those). This was artfully and thoughtfully done.

Once again. Well done Jeep.

gentle into that good night

September 16th, 2010

Do not go gentle into that good night,

Old age should burn and rage at close of day;

Rage, rage against the dying of the light.

Dylan Thomas

So.

Every once in awhile I am reading and come across something that I think I knew (or had heard) but am reminded of its brilliance in its use of words and the combination of words and how you feel when you read them.

This is one of them.

“Do not go gentle into that good night.”

Whew. I am not sure there are many stronger lines written out there. Written by Dylan Thomas (not Bob Dylan).

There are only six stanzas in “Do Not Go Gentle into that Good Night” (and each stanza is awesomely crafted).

It is an incredibly simple poem with some complex aspects. It is not only about death and dying but also about life and how it is lived.

Dylan encourages us to believable it is not honorable or befitting for a great or interesting person to die quietly in old age. To think that death is something that should be fought rather than accepted.

It is a statement about living a strong life and refusing to go quietly.

“Old age should burn and rave at the close of day; Rage, rage against the dying of that light

In his own poetic way he suggests we go out in a blaze of glory.

I do love the way he makes darkness dying light (an obvious metaphor for death) and that “burn” suggests brightness, light, and life.

I do love the way he suggests that interesting people fight death because they feel there is yet more to do.

And. I will admit.

It made me think about people who live life to its fullest.

They are kind of like bull in a china shop life livers.

They do not ‘go gentle’ in life.

They refuse to go quietly.

I envy these people.

And I know one thing for sure.

Ok. Two things.

First is that these type of people make all of our lives more interesting (even as they bull through even our own lives breaking things along the way).

Second is that those people will surely refuse to ‘go quietly.’ They will not ‘go gentle into that good night.’

All I can say is thank god for those people.

They remind us that life is often not lived best gently.

Here is the full poem:

Do not go gentle into that good night,

Old age should burn and rave at close of day;

Rage, rage against the dying of the light.

Though wise men at their end know dark is right,

Because their words had forked no lightning they

Do not go gentle into that good night.

Good men, the last wave by, crying how bright

Their frail deeds might have danced in a green bay,

Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,

And learn, too late, they grieved it on its way,

Do not go gentle into that good night.

Grave men, near death, who see with blinding sight

Blind eyes could blaze like meteors and be gay,

Rage, rage against the dying of the light.

And you, my father, there on the sad height,

Curse, bless, me now with your fierce tears, I pray.

Do not go gentle into that good night.

Rage, rage against the dying of the light.

Enlightened Conflict