Posts tagged Stuff I Like

separate but one

“… be as separate as the fingers, yet one as the hand in all things essential to mutual progress.”

Booker Washington

Ok.

I am going to take this awesome quote and talk about two things: business and personal.

Business.

Whenever anyone asks me about “integration” this is the quote I use.

We talk so often of “staying on strategy” or “meeting objectives”.

Why? Because there is so much everyday other shit going on you worry about losing control. So you have one of two choices. Leverage off of something (strategy) or aim for something (objective).

That’s it. Let’s call it vectoring for success. Okay. Let’s not.

And you have to choose because today everyone is “integrating.” What I mean is everybody is seeking to implement a shitload of tactics in a shitload of different vehicles and it can all go to shit really really fast.

Ok. So you are on your ‘vector.’

You have one of two choices (in general).

Create chemistry through conflict management (think dictator insuring all the fingers stay on one hand or get chopped off if they start flipping you off). This hand can punch a bunch of people along the way but just as a boxer ages over time your career as a conflict hand organization will wear out in a relatively short time.

And then there are hands that face conflict with chemistry. Create a culture that thrives on that vector. (whenever I type that word I want to ask “what’s your vector? Victor” … anyway …) this one is a little scary because it contains that evil word “decentralization.”

Uh oh.

Great organizational chemistry almost always has a thread of some autonomy. But great organizational chemistry embodies the quote also. So. Choose your path. But if you like the quote you know which way to go now.

Personal.

Whenever someone asks me about what makes a great relationship this is the quote I use.

I believe being one while remaining two is the greatest thing that can ever happen in any relationship.

‘To be one yet remain two’ is the way I believe I have heard it said before. But Booker says it better.

I would imagine this means a balance between independence and dependence.

Uhm.

Yes. Dependence.

Being dependent isn’t a bad thing on occasion. In individual moments we all need someone. If we don’t … well… I would argue you aren’t human.

But having some independence keeps the partnership healthy and growing. And actually keeps the “ones” stronger as ‘ones’ so when they become ‘two’ they actually have strength far beyond the numbers. (I think Pythagoras proved this in his third marriage).

the song: Compliments from Band of Horses

Okay. So this will complete my “bearded songs I suggest you listen to” week. Compliments from Band of Horses from their new cd Infinite Arms.

While I have always liked their sound I also have thought their music has been a little uneven in listenability. But they have such a distinct sound if you like one song (and No One is Gonna Love You Better is as good as it gets) you keep on coming back around for more. Compliments has a slightly more upbeat and bigger sound than many of their other songs.

In addition. The video for his song is awesome. Really interesting in its use of morphing ad photography. The technique they use is fascinating and you will be tempted to slow down or pause in sections just to see what they do (although the entire video can give you a headache if you watch it too closely).

Here is the video (I wasn’t smart enough to figure out how to link to it so my friend Brad was kind enough to send it to me):

URL: http://vimeo.com/10566868

To be honest with everyone this isn’t brilliant songwriting. The music certainly doesn’t push the envelope and true musicians will probably suggest it is mainstream mediocrity (that doesn’t make it any less fun to listen to).

And the lyrics can be a little trite.

(chorus):  “if there is a god up in the air, someone looking over everyone, at least you’ve got something to fall back on.”

But.

It is feel good nonsense. And really good listening feel good nonsense. And it is good enough to remind you that Band of Horses is a better than average band. And it gives you hope that somewhere in their songwriting future portfolio is something truly iconic.

Oh.

On top if it all. Beyond the well crafted hooks and beautiful jangly rambling melodic chords there is Ben Bridwell. Looking past his healthy beard you will find a vulnerable clear voice that raises above all the music with a pureness that makes band of horses …. Well … band of horses.

I would imagine the cd is a good listen. I know this song certainly is. Enjoy.

national program to support Childhood Curiosity

So I saw a TV commercial encouraging maintaining arts/music in schools curriculum the other day. I didn’t pay much attention to the details and I am not really a government program gwonk (whatever that is) but I assume someone in their infinite wisdom is cutting money supporting these things in schools.

Well, in general, I would say I would jump on this soapbox.

But.

I won’t because of ignorance with regard to the choice. Huh? If I support this, does funding get cut from some other children’s education program? As I stated I am not a policy gwonk so I don’t really know how these things work.

But.

Here is what I do know.

Every child is born curious.

And every child has an unopened box of curiosity which has a key to open it.

And I do know every child needs a different key to open it.

For me it was words. Words in songs. Words in books. Whatever. I listened to the radio music incessantly and read every Nancy Drew and Hardy Boy book I could get my hands on. Somewhere in elementary school a teacher read us Tolkien’s The Hobbit during reading hour. (I couldn’t wait to be able to read it on my own.)

For others I assume it’s something else.

The stars and planets and space.

Playing an instrument.

Understanding what makes things run and go.

How do things live.

Why is the grass green and the sky blue.

Crap like that.

Frankly I don’t care about any individual program (music, math, social studies, chemistry, etc.).

What I care about is giving children a box of keys and let them figure out what opens their curiosity box. And then making sure that curiosity never grows hungry. That it can be fed for as long as they want to keep eating. Curiosity will never have an obesity issue .. there should be an all-you-can-eat buffet 24-7 for kids.

Is that realistic?  Once again, frankly, I don’t care.

This is me being unreasonable. Having music fight for money from sciences who is trying to make sure they have money from machine shop/woodworking is kinda nuts. You are choosing among the children (literally and figuratively).

So while I am okay with a TV commercial fighting for something like music in schools I am not okay that money has to be spent on the fight (versus actually using the money for feeding kid’s curiosity).

This is not “no child left behind” (although I guess if I did some research I could be really sure about that statement).

In fact, I read somewhere that inadvertently the ‘no child left behind’ program kind of created the arts cutback situation because funds had to be diverted to sciences & math to insure the program met its goals (I don’t think anyone planned it to work that way).

Heck. President Obama announced a $250 million initiative to train math and science teachers and help meet his goal of pushing America’s students from the middle to the top of the pack in those subjects in the next decade. Obama said the $250 million in public and private investments for his “Educate to Innovate” campaign will help train more than 100,000 teachers and prepare more than 10,000 new educators in the next five years. I am all for that also. Just not at the expense of other curriculum options students could select.

Why do we have to choose one over the other? (I guess that is where I get stuck on this issue)

So. What would I do? (being the unreasonable guy I am)

Use that 250 million to train Curiosity Fulfillment teachers. Create a Curiosity Fund and go get stuff in front of kids. And keep shoving it at them until they find something they gravitate to. The only reason (in my opinion) kids “give up” in school is because they just don’t find anything relevant to them. I am NOT suggesting we should ignore a well rounded education (they do need to know 2 and 2 is 4 and stuff like that) but give them a “hook.”  Something to hold on to. Something that inspires them to want to know more.

There you go – a National Childhood Curiosity Program. Educating to feed Curiosity.

addictive song: beg steal or borrow by ray lamontagne


Ray Lamontagne is an acquired taste. He has a new cd coming out in mid august (that is not it to the left .. . that is an old good cd example).  I think this song, Beg Steal or Borrow,  is the pre-release for the cd. A lot of his other stuff gets a little too soft for my tastes but this song has a little folksier rambling sound to it.

It kind of has a Pure Prairie League sound to it (which is a good thing because Falling in and out of Love/Amie remain one of my favorite songs of all time).

(had to include that song): http://www.youtube.com/watch?v=N8X_gws1Rck&feature=related

Anyway.

‘Beg Steal or Borrow’ is country but not country. It has a slow non rushed western rolling sound to it. It just kind of moseys along (I don’t get to type that often). It certainly has the sound you can imagine playing this while cruising down an old highway somewhere in the middle of America. It has some nice nuanced key changes in the vocals and beautiful steel guitar.

In general Ray’s music isn’t for those seeking uplifting energetic music (unlike wakey!wakey! who I posted yesterday and also has a beard). Ray’s lyrics tend to be introspective and he writes stark melodies. But. Owning a couple of cds of his, his good stuff is good. This one is good.

Beg Steal or Borrow: http://www.youtube.com/watch?v=T6a_1R3w5i4

Enjoy.

shakespeare and self esteem


“Be true to thineself.”

Shakespeare

I used this quote  in maybe one of my first 5 posts but since my friend Jen referenced it with regard to self esteem I thought I would bring it back and refresh it slightly with the whole self esteem discussion in mind (as well as my recent rant on advertising agency differentiation).

Let’s talk business first.

I use this quote in every branding exercise I have ever done. I believe branding, personal or companywise, doesn’t start with the ‘customer’ but in understanding yourself. And in understanding yourself … have the kahones to be true to thineself regardless of the repercussions.

Branding experts spend so much time focusing on the customer and doing whatever you have to do to be liked by consumers that they lose sight of what a brand really is at its core – thineself.

I would imagine at its core this thought is about a company’s self esteem.

I guess if all you want to do is make money and be a prostitute, or a chameleon, and be whatever the consumer wants  and do whatever the consumer wants in search of the almighty  dollar then you should go ahead. But while I would probably lose the consulting gig I would then suggest ‘be comfortable being a legal prostitute.’ And, oh, (no offense to any prostitutes) expect that no matter how big your wallet gets you will have the same self esteem as a prostitute. By the way. I am not the first to suggest this (at least in the advertising industry). The original founder of The Martin Agency in Richmond said something very similar (I have the exact quite in a box somewhere). But. Those ad guys are mad men anyway.

When I do any strategy gigs and I use this quote I typically suggest it’s like building a great circle of friends. Your circle of friends is stronger if there is some mutual respect and you truly enjoy each other’s company (flaws and all). Now. That doesn’t mean everyone will be your friend. Some people may like you but not be a friend. And some people will just have no interest in being your friend. But in the end your company, your product/service, your brand is better off if it is ‘true to thineself.’

Okay.

Personal (and this whole self esteem thing).

Heck, I believe it may be one of the most important lessons a person can learn in their personal life (and one of the most difficult lessons to actually implement I may add).  I don’t have a lot to add from what I say to business owners (above).

Similar to businesses getting caught in the barrage of consumer influence on company image an individual is faced with a similar situation (without money involved).

As Jen told me:

“realize sometimes people just get bogged down, and the external factors are definitely loud/pervasive, but still annoying to see/listen to people play “victim” or blame their upbringing/society/partner/etc on their unhappiness or their unwillingness to climb out of the pit.”

I cannot disagree.

Shakespseare was a smart dude. I don’t think he lacked for self esteem (although I would imagine he had the typical creative artist insecurities lying below a healthy façade of strong self esteem). But self esteem is a tricky thing.

It is made even trickier by the fact we are always growing as a person. We are always gathering external information and assessing ourselves. Part of self esteem is understanding what is good and should be respected about yourself and another part of self esteem is partially understanding how to change and evolve and improve.

And that is self esteem’s trickiest challenge.

Be stagnant and you aren’t improving. External factors will remind you of that. Constantly.

So change and those wily external factors have a habit of understanding that your foundation is shifting and starts seeking cracks in the foundation to weasel its way into.

My first post on “be true to thineself’ may have been too flippant.

Truth in itself is very difficult; add ‘thineself’ and difficulty increase exponentially. Negative self esteem issues are a “pit.” That is true. And I am with Jen on this one … no one should be willing to accept living in this pit if you have a choice. And everyone has a choice when it comes to self esteem.

Ah.

But nothing good in life is easy.

That is an unndebatable truth.

new song: Light Outside by WAKEY!WAKEY!

So. About the only thing I am a sucker for in songwriting, beyond a bass player who writes songs, is a keyboard singer/songwriter. This guy is a dynamic personality at the piano and isn’t afraid to wrap different instruments (violins and strings) to fill out a pretty frenetic writing style. Also has a wonderful habit of filling in the harmony with a female voice which is interesting because his voice has a higher quality anyway.

Anyway. Light Outside is a simple but complex song which probably makes it interesting.

Simple in that at its core it is just a piano player singing a minimalistic lyric story.

Complex because it has a parallel frenetic and calm musical style.

Anyway. His singing style isn’t really conducive to a love ballad but his song has a heart wrenching thread to it that kind of tugs at your heart and makes you think. (I include another track at the end of the post too.)

Light Outside youtube: http://www.youtube.com/watch?v=VD02bI09dOM&feature=related

(i don’t particularly like the official video so I didn’t include it)

The lead singer is really interesting. This comes from their website:

“I was a scrawny, dopey kid—the worst athlete on the face of the planet,” says Wakey!Wakey! frontman Mike Grubbs. “You know tee ball? I got to first base one time.”

Grubbs grew up in a house learning to play a burgundy baby grand in a music room that also housed a French horn, clarinet, violin and autoharp. In his youth his mother—a longtime piano teacher and choir director—would ask the kids to sight read songs before they could even think of eating cereal.

For every school subject done,” he says, “I could play the piano for an hour. It was almost like video games for me.” The games got a bit more complicated in high school, as Grubbs stumbled upon the songbooks of Billy Joel and Elton John. Not to mention the arena-ready anthems of Led Zeppelin as well as Bach, Beethoven and Brahms (you will note a classical thread in his music).

“One of my main influences now is the fact that I didn’t have someone teach me proper jazz or rock playing,” explains Grubbs. “I had no idea how to put a song together; no one telling me, ‘Hey, you should check out Gershwin,’ but it was all so fascinating to me. So I found my own style by experimenting with what works and what doesn’t.”

It is a different style of music. It is an infectious frenetic pop sound with classical (or maybe jazz) undertones. Pick up the song. Heck. Pick up the cd.

Oh.

A bonus. “Almost Everything.”  It is the second song I heard from Wakey!Wakey!

http://www.youtube.com/watch?v=FiQo6DoXknY

It sounds really good. It will be interesting to follow these guys.

a rant on ad agencies differentiation: part 1 the missed opportunities


So. I have managed advertising agencies, I have been business development director at agencies and I have talked with so many business owners about advertising agencies as well as search consultants (kind of like executive search people for businesses looking for agencies) that I think I have seen pretty much every angle any agency has ever taken to differentiate themselves.

And I think any sane person who stuck their head into this padded room advertising agencies live in would suggest the occupants exhibit some relatively insane behavior patterns on occasion.

Look. No matter how you slice it my friend Luke Sullivan said it best “it’s all about the work.” An agency both has the work and can do the work or they don’t and they can’t (but are trying to convince everyone they do and can).

We in the agency business hate admitting it’s “the work” because then it makes us sound like a manufacturing plant cranking out widgets. Well. Tough nooogies (I love typing that). Agencies are what they produce. Simple as that.

Do they produce ideas (so they can claim they are ‘thinking agencies’)? No.

Those are consulting firms (who typically in my harsh point of view have absolutely no value to the world because they shirk the responsibility of the actual ‘doing the work’ once they have the insight/idea).

Anyway.

Advertising agencies produce “tangible creativity” based on an idea.

Doesn’t mean you should be any dumber because you shamelessly state it’s the work (cause if you don’t have the insight or the idea you ain’t gonna produce ‘the work’ anyway).

A person I admire said “well, our work sells shit.” That works for me too.

Does it mean they do crappy work?

Nope. Just that if you come to them and they develop work for you it will … well .. work.

Anyway.

Differentiation.

So most agencies that can do the work fall into three categories.

-          Ones known for a charismatic talented personality. Jeff Goodby. Roy Spence. Alex Bogusky. Stan Richards. And going back in time … David Ogilvy, Mary Wells, Bill Bernbach. Let’s call them “zen masters.” Kind of the Phil Jackson’s of the advertising industry. These are at the top but there are a slew of well known charismatic personalities that can raise the level of an agency that can and does the work to a place in the marketplace where they are differentiated. Oh. And charismatic takes on all shapes and sizes. You may not know the people I stated above but one is reserved and taciturn and brilliant, one is bombastic and pulpit worthy and one is casually brilliantly articulate and one is formal and disciplined and concise. There ain’t no formula here folks for charismatic talented personalities. Other than the fact people like to listen to them and follow them.

-          Ones who are known as an agency that does ‘this kind of work.’ So the agency isn’t driven by a charismatic personality but most probably by a distinct culture or attitude that has consistently generated a distinctive look & feel of “work” that has worked and they have become known for something. Cliff Freeman agency probably the easiest one to point out here.

-          Ones in between but wanting to be one of the above two (oh. Most agencies are here).

This third group is a morass of all size agencies ebbing and flowing as several are always on the cusp of moving into one of the two categories above and some slip in and some never make it and fall back into the pack. All always seeking that ‘differentiation’ that makes them get considered. And group three is doubly difficult to compete in because this is also the group where agencies who don’t really do ‘the work’ (because they cannot … because … well …. they suck) reside and wander around trying to look like agencies that can do the work and confuse the whole kitandkaboodle (another word I like to type).

Oh. Before I get to the differentiation thing.

So why can’t some really good agencies get up into one of those two categories?

Well. I am going to generalize but try these on for size:

-          Charismatic personality. Agencies are typically hotbeds of egos and politics. Elevating one person above the rest is a gauntlet that even the most charismatic person has to be slightly lucky to get there. It is certainly the easiest way for an agency to get in the game but most agencies waste this opportunity through politics and egos. Or. They simply choose the wrong horse to ride to the top. What do I mean by that? Well. An owner of an agency may feel they are the anointed ‘charismatic one’ because it is their name above the door. When in reality they are simply the one who has the cahones to own an agency and manage an effective agency and hire great people so it becomes a great agency. The owner is the wrong horse in this case.

-          Agencies that are known for their work. This is a complex group. Couple things fall in here. If you don’t have the account how do you get known for the work? (that is the issue but I will suggest an answer in part 2 in differentiation). Or even worse is the battle between making money and doing work. All agencies have clients in their stable where they don’t do work that completely sucks but it isn’t “all about the work” and it pays a lot of bills. Maintaining that balance is really really difficult. Combine that fact with the fact that most agencies in this group chase anything hoping it is ‘the one.’

Please note that almost everything I have written in this section translates into “the agency is not in control of their destiny.” That is until they get ‘the client’ and even then you are having to prove it wasn’t a onetime fluke but sustainable. Even Crispin, who began in group three, shifted into group 2 (about the work) and ultimately now resides in group one (Alex Boguskyland) was only able to achieve this over a period of time. It takes some consistency to move from group three to two. The one thing that doesn’t take time is a charismatic personality. If you got one ride that horse until it breaks a leg and you have to shoot it.

Ok. Back to the work and differentiation.

First.

I believe most agencies confuse differentiation and being distinct. Agencies known for their work aren’t really different. They just have a point of distinction. For whatever their work is known for.

Second.

So. In the attempt to break out of the morass in group three agencies go to incredible heights of zaniness to break out. The most typical and tried & true is the “proprietary process.”

whew. Okay. Unless some agency has a magic cube they throw their work into that they shake up and then pull out the magical “work that works” no one has a proprietary process.

Sure. They may be some differences. But they are nuances. Pretty much everyone does a derivative of everyone else.

Why wouldn’t you? The best processes are smart and well done and copied.

Anyway. Process differentiation is part 2 of this rant.

Part 1 simply suggests differentiation is simpler than ad agencies tend to make it. Doesn’t mean it is easy. Just means it is simpler if they would allow it to be so.

a rant on ad agencies differentiation: part 2 the so-called proprietary process


A noted in part 1 I believe the core of any advertising agency differentiation is “it’s about the work.”

But.

Often the agency that is not instantly ‘knowable’ by its work immediately drops down into “our proprietary process” mode (which suggests .. “We can do as good a shit as those Crispin/JWT/GSDM/whomever folk because we have a nifty whizbang process).

Why does everybody go to process? Easy.

As it is ‘all about the work’ here is how it goes:

Is the work smart, insightful, educational, entertaining and effective? No (drop out. Process won’t save you. You don’t belong here in the discussion) Yes. Move on.

Ok. Do you do it consistently? No (you are in trouble. Particularly if you say something like ‘we can but our clients don’t let us.’). Yes. Move on.

Ok. Do you have some formula that guarantees that consistent work? No. we don’t have a process. Its sheer luck of the draw. (okay. Here is why you need a process).

The typical answer here ? ‘Well, yes and no. we don’t have a formula but we do have a consistent process we like to work within that increases the likelihood of success. But, no, there are no guarantees. But our process is pretty good. And we are pretty good. And you are gonna fire our ass if we aren’t successful so we are highly motivated to get it right.”

Ok. But if you are consistent why won’t you guarantee it?

(without getting into compensation discussions)

‘Well, a process is simply a means to an end. It helps uncover true insights and ideas but it only informs us to develop the creative thinking it doesn’t develop the actual creative ideas. “(although it can on occasion but you never tell anyone that).

So. That is your argument for having a non proprietary solid process. But hanging your hat on your process to differentiate is nuts. It’s your work.

But.

Day in and day out scan advertising agency websites and sit through dozens of credentials presentations and if you have enough coffee to stay awake (which is actually not that tough because most are pretty entertaining and everyone likes to look at ‘the work’ …. Oh … the work?!? … ok … moving on) you will have to endure everyone talking about their process. Their proprietary magic cube that generates the work.

Here is what you want to show. Okay. And I want to be clear. In this simple process chart there are boundaries but freedom. The lack of detail doesn’t mean that there is not discipline but the freedom is in the simplicity:

A simple “you & I discuss, we take information, we start thinking, we make sure time & costs meet you expectations, we do whatever voodoo we do on that particular assignment that generates work, we show you work.”

But. Simplicity seems too chaotic. So we decide to show detail:

And then we invest ¾ of a meeting talking about process in the presentation because we either:

(a) feel like we have to discuss each detail point or (b) the audience is so confused they have to ask a zillion  questions to figure out what the hell you are showing.

But.

This is the truth. This is really the process chart that reflects a simple truth:

But telling the truth is not good. Because no one wants to trust chaos.

Unfortunately advertising agencies are part chaos (because that is the characteristic of creative thinking) but we pony up a proprietary process to prove consistency and logic and a sense of comfort. Regardless (and this is where I repeat myself) it all ends up with the work. Process is a means to an end.

Here is the real issue. (I think I am going to say something smart here so pay attention)

People confuse process and disciplined thinking.

You look at that last chart (which IS truly what happens in a creative process) and you think chaos. Well. Not really. Let’s call it organized chaos. Or maybe even better said “disciplined chaos.”

First.

I dare you to talk with any creative thinker. Any creative thinker. It need not be an adverting agency person. It could be a scientist seeking a cure for cancer. A NASA engineer seeking a way to build a space ship to leave our galaxy. A product development person seeking an innovative product to meet an unmet need.

Discovery is messy.

Doesn’t mean they aren’t disciplined and have a “way” to attack it.

It is not a process. Or a strict methodology. Because in the end discovery is often about the unexpected or the unintended.

So. What do I mean?

You can attain an awesome unintended result despite a focused articulate smart objective/strategy “aim.”

So if the result doesn’t match the initial objective do you throw the result away?

Gosh.

That means penicillin never happened.

Email never happened (the military discovered it).

That means the atom is ignored.

That means America was never discovered.

People don’t like to hear it but it is exactly the same in advertising and communications.

Discovery is messy.

(sorry about that)

And having a proprietary process may sound good and make you feel good what matters is if your messy discovery creates good ‘output.’

I guess what I am saying is if you are an ad agency and you are investing a lot of emotional and intellectual energy into outlining and developing a whizbang process than I would suggest you are wasting good energy.

But.

With that said.

Say you have your process and you want to differentiate yourself.

Well.

Get to ‘the work.’

Anyway.

Here is my last thought.

Controlling your destiny and differentiation (or being distinct).

You have a whizbang process that looks an awful like everyone else’s but has a nifty name but you have a limited work portfolio. And you want more clients. Bigger clients. But the new potential clients don’t feel comfortable because you just don’t have the ‘work proof’ to get you over the hump.

If I were an agency owner or business development director and I had a budget I would build a soup to nuts beta case study. High risk. High return.

Pick a company any company. Doesn’t matter (although I would imagine if they are really high on your wish list you may as well put ‘em in there). Run them through your process. Get the insight or idea or whatever your process is supposed to generate. Do the work (yes. That is clearly speculative work.) Test it. Show that it “works.” Go back and rework it of it doesn’t work. Get something that works.

There is your proof.

In fact, your process worked so frickin’ well you didn’t even have to have the client there. And when you talk to a client? “Imagine how much better the work would be if a client were involved to provide us with the ‘x’ factor.”

Bundle enough of these and you have test proofed your process, proven you can do the work. Show work that works.

Do large agencies have to do this? Nope. When I was at J Walter Thompson I had so much shit in my bag I could pull out there weren’t enough minutes in a meeting to be able to show examples.

Do agencies who want to get out of group three have to do things like this? Yup.

That is the price of getting out of group three (if you want to get out … because you can make a fine living in group three if you are comfortable there).

There you go.

My rant on advertising agency differentiation parts one and two.

Interestingly I would imagine that while I focused on the advertising industry this applies to many industries where there are massive amounts of commodity like service providers dwelling in some nondescript morass of non differentiated excellence.

So maybe this can apply to you as well.

Hopefully my rants benefit someone other than just my own conscience.

If not? My conscience is at peace.

public radio music surprise

It’s an 11 hour drive from San Francisco to Portland Oregon. You can listen to a lot of music and check out a boatload of crappy music stations. So when I wandered into the bottom end of the dial and the public radio station was ending a talk segment and moving into music I almost skipped over expecting either some random African metal drum timpani yodeling group or maybe some sung poetry scat thing but when the opening chord to Night Train (Bruce Cockburn) came out of the speakers I stuck around to hear what they had to play. What an awesome three song set. Three great songs and three great deliveries (Cockburn’s and Adams songs are particularly good). Here you go:

-          Bruce Cockburn “Night Train” from 2003 Charity of Night album. Great driving song because it uses that train chugging along the tracks beat and has this beautiful sparse guitar picking across the top of the rest of the band chugging along behind the vocal. He will never be an opera singer type voice but he has that rustic sound that fits perfectly with the overall feel of the song and driving and … well … big countryside. And after such a nice simple clean almost forlorn feel it ends with this really messy guitar overlay. It’s a 6 minute + song and it doesn’t feel too long. Oh. And Bruce adds in a nice female voice to fill in under his vocals which smooths a couple of portions of the song and adds in a nice softening element.

‘Night Train’: http://www.youtube.com/watch?v=aYxnNG2dxMw

-          Carrie Rodriguez “I made a Lover’s Prayer.” I am fairly sure this is a remake (but I am too lazy to check). While it is slightly different than the first and the third in this three song set it fits in the middle perfectly just like the marshmallow middle in a moon pie. It is a simple song. It’s a beautiful song. It’s a heartfelt song. And she has always had a great voice and sang okay songs (I have always wondered if she would ever make it big) but in this song it’s like she found the perfect song to sing.

‘I made a lover’s Prayer’: http://www.youtube.com/watch?v=qOk6CpAfXcw (I couldn’t find a studio version to link to and the beginning of the video will give you a headache but she plays a sweet guitar)

-          Ryan Adams and the Cardinals “Cold Roses”. Ok. Ryan Adams is maddening. He writes so much stuff and at least half of it is crap you want to give up on it. And then a song like this comes on the radio (and I even had this cd and didn’t realize it was there). Cold Roses is everything great about Ryan Adams. Beautifully crafted song. Multi layered with a variety of different instruments and Ryan’s voice kinda keeping it moving along melodically with those wistful words he writes (the type when they are written well are impeccable). But. What makes this song is this guitar that almost sounds like they asked old Neil Young when he was playing Cortez the Killer and asked him to sit and jam. It is this kind of clean jangly strong sharp sound that weaves in and out (or someone could suggest it has a little Grateful Deady type guitar feel). Awesome song.

‘Cold Roses’: http://www.youtube.com/watch?v=f7qMaiFNTPM&feature=related (this is the full song … the last minute of this song will show you synchronized guitar playing at its best)

  • This is a bonus ‘cold roses.’ It is only a 1:24 live clip but it captures the guitar sound AND if you want to hear possibly the most amazing live vocal harmonizing this clip is worth listening to –  http://www.youtube.com/watch?v=3swTRypEUEQ

Awesome set.

the riches of Purging: Purged Living Part 2


So you now have purged and are living “small space living.”

The functional benefits are really obvious – financial savings, less upkeep, etc. and they become obvious very quickly (which helps overcome some of the emotional shock of turning around and seeing your entire living space).

A good friend of mine suggested simplifying is all about a decision to live simply versus simply live. And it could be. That is a big big thought.

But big thoughts usually take a while to incubate in our pea like brains (well … at least mine for sure).

So. Possibly after a period of time it smacks you in the back of the head as such.

But in the beginning it may sometimes just be simply that it is … well  … simpler.

Less choices. Less maintenance. Less expense.

So it means you have more of other things  … one of which is time.

Ahhhhhhhhhhhhhhhhhhhhhhhh … but there’s the rub.

We Americans rarely accept “free time” as a gift to relax but rather we fill it up with other things. Therefore this “smaller space frees up time” slips through the cracks in the consciousness pretty quickly. (but I bring it up with the hope you try and remember it as a positive).

Shifting to living simply is also a neat opportunity to give life a “fresh start.”

And I imagine I never really thought about the outcome of the purging as having a variety of paths until my mother and I went through it at the same time.  My mother and I going through it at exactly the same time showed us two paths:

  1. I simply consolidated my stuff and took the best of the best and created a space where I love everything that I have.
  2. My mother took a core favorite group of pieces and items, basically built her bedroom and kitchen with the comfortable stuff from her past things and then started from scratch in the living room (reupholstered comfortable chairs, bought new couch, used two of my paintings she liked, bought new lamps, etc). So she created a new look in her main living space.

So once you get through the purging gauntlet you do have a smaller space, a simpler life and, frankly, a space you have difficulty finding fault with.

While there are fewer things to fondle or juggle you have more to be happy with. It may sound odd but you don’t doubt any purchase you look at around you. Nothing seems like “wasted investment.”

And no matter how rich or material oriented you are there is a lot of satisfaction in “dollars invested well.” and smaller space living focuses you n this each and every day.

Smaller space living ain’t bad. That’s the net of it.

Lastly. The odd conversations.

Inevitably the people you know knew you as a “larger living space person.” So. You find yourself in many conversations explaining your smaller space living arrangement.

Ahhhhhhhhhhhhhhhhhhhhhh .. the harsh edge of perception versus reality. Another friend of mine when talking about our health issues in the United States stated it is because we Americans associate value with quantity (quantity of food in that case). It is similar with living space particularly if you are dealing with people who have seen you in ‘large space.’

You had quantity of space – you were happy.

You no longer have quantity of space – you cannot be happy.

It’s weird. You spend a lot of time trying to explain to people something you have already gone through (the pain of the purge .. which you don’t particularly want to relive but are constantly forced to) to explain you are happy in smaller space living.

Sure.

You rattle off all the functional reasons (smaller bills, less time cleaning, less chores) but people associate that with “you have less money and you had to do that.”

Well.

They may be right. But more likely they are wrong.

Sometimes you reach a point where doing something right for you just doesn’t seem right to others.

Okay sure. Maybe at some point after we get through this depression (oops. recession.) people will accept smaller space living decisions as something like “living life simpler” choices but for now?

Be prepared if you elect to do this.

Remember these three things:

  1. Purging sucks.
  2. Simpler life doesn’t suck.
  3. Explaining it sucks.

Hopefully over time #2 carries more weight in your life than 1 and 3 combined.

As I did all of this myself within the past year I am not positive I have reached the balance yet.

But I hope. And I am fairly sure it is a good place.